Category Archives: News

TDS Serializations: Revamped

TDS has always championed serialized fiction. From Issue 1, the pages of our magazine-turned-journal housed small parts of longer works that spanned over time. So it’s no surprise that we’d update our serialization platform to match the new aesthetic of the TDS brand. But, how does the new branding affect the serializations and, more importantly, what’s changing? The answer is simple: EVERYTHING.

Monthly Release

In the beginning, TDS was a quarterly magazine, which means that serialized stories were only updated every 3 months. Now, however, our serialized fiction will be released monthly, similar to manga-style magazines. On the 9th of every month, readers can visit the serialization section of The Dark Forest to find new chapters of their favorite titles.

Chapters

Now in chapters (rather than parts), authors will write their stories in digestible chunks that not only engage readers but also give them a reason to return the following month. The chapters will be approximately 500-3,000 words, depending solely on story and individual author style.

On-Going Run

Originally, our serializations were limited to 3-4 parts for a short-run of 3-4 issues. Now, however, we are looking for LONGER works to serialize over an ON-GOING amount of time. This means, readers can expect stories to run for months or even years – and for stories to turn into a series filled with multiple well-developed character and story arcs. When a story turns into a series, subsequent sequels will be called seasons.

That said, TDS Serializations will still publish shorter works with limited chapters. No matter the length, TDS wants to publish high-quality serializations. The difference, then, is that we used to exclusively look for short-run fiction, while now, we publish both short-run and long-run serializations.

Completed and In-Progress

We now feature stories that are either completely written or currently in-progress. Before, stories had to be finished, ready for publication in full (beginning to end), but not anymore. TDS now accepts works in-progress; meaning, the author is working on the series as it’s being published. Again, this idea comes from manga-style magazines where editors work with authors on deadline. By accepting both completed and in-progress stories, TDS provides readers high-quality fiction while also supporting the different creative preferences of writers.


What’s Next?

On May 9th, TDS Serializations will officially open! As a celebration of the new platform, we’re bringing back the 3 original serialized stories that appeared in Issues 1 through 7. Each will begin with a prologue, with subsequent chapters released on the 9th of every month. Be sure to visit and bookmark: darksiremag.wordpress.com/serializations.


The 3 original serializations are as follows:

VAMPYRE PALADIN by Brenda Stephens
Matthias Kade is a vampire paladin, a traveling doctor who uses his expertise to heal victims of vampire bites. He and his assistant find an underground blood ring that ensnares young children. Matthias vows to stop the vampires – but to do so, he must face his own past, fears, and demons, which force him down the same path of the fiends he so despises. (First three chapters of novel appeared in The Dark Sire, Issues 1-4 & 7).

KYUUKETSUKI by S.M. Cook
Shizuka, a member of the Senshin Warriors, is a vampire who seeks the Blood Ruby, a weapon that can control the human race. Her mission is to find the Ruby and return it to the vampire council, who will then lock it away from evil hands. But as she gets closer to finding the Ruby, she falls into the twisted underworld, where she must grapple with her past and the reason behind her transformation. (First three chapters of novel appeared in The Dark Sire, Issues 1-6.)

THE LAST SUMMER by Frances Tate
During a long, hot summer, a Tudor vampire meets Mercy, a girl who can manipulate his visions, see through his deceit, and overpower his mind control. He only has three options before his master’s hell breaks lose. It’s a race against the evil if he and Mercy are to survive. (Full story appeared in The Dark Sire, Issues 4-7.)


More serializations are to come, with new titles added when available. Mark your calendar and reserve the 9th of every month for the all-new

TDS SERIALIZATIONS

darksiremag.wordpress.com/serializations


AUTHORS: Do you have a gothic, horror, fantasy, or psychological realism story you’d like published as a TDS Serialization? We want to read it! If it’s completely written, SUBMIT it now. If it’s not completed yet – or is just the idea for a story, email the EIC (darksiremag@gmail.com) with as much info as possible (i.e., synopsis, outline, any already written chapters).


The Creative Nook with Lisa Rose

Lisa Rose’s short story Swelling Ashes was featured in The Dark Forest on April 27, 2022. It tells the story of a girl named Ainsley who is abandoned by her caretakers as a ravaging plague encroaches upon them. Alone in a desolate place, she awaits for their return, but what shows up is something far more disturbing.

I loved her story so much that I wanted to talk to her more about the story, her work, and the horror genre in general. I decided to conduct a live interview with Lisa for THE DARK SIRE’s Creative Nook, which aired on DARK SIRE RADIO (Twitter: @darksireradio) on April 28, 2022 at 6pm (EST).

I enjoyed the pleasure of chatting with Lisa.. We not only talked about Swelling Ashes, but we also talked about the horror genre in general, what attracted her to it, and why readers seem to love it so much. This last part is always an interesting discussion, especially with someone like Lisa who’s courted the horror genre since childhood. And of course, Lisa shared her writing process with us and even her background in editing.

As part of the talk, Lisa shared some advice for emerging writers, which included to read everything. Although Lisa loves horror (and the horror films of the 80s), she is well-read in a variety of other genres, from fantasy to non-fiction. According to this very talented writer, the more you read—and the greater variety of reading experience, the more tools you will have in your toolbox.

Before the end of the interview, Lisa read a portion of her story for us, and she told me a little bit about her inspiration behind the fascinating monster portrayed in her story. This was the most beautiful way to complete our discussion.

I absolutely enjoyed talking with Lisa Rose and getting to know more about her work. This is one interview you wouldn’t have wanted to miss!


Did you miss the live interview? No worries! Listen to the full conversation on Dark Sire Radio until May 28, 2022:

https://twitter.com/i/spaces/1LyxBordkoYKN


Lisa Rose is a long-time educator turned emerging author. Her short story “Snow Globe” won Best in Fiction in a SJ Center for Literary Arts writing challenge, and her nonfiction has been published by ScaryMommy. Lisa has an MA in English Literature and works as an academic copy editor. She lurks between the trees in the PNW. You can connect with Lisa Rose on Twitter (@WordsRose) as well as her website (www.writeroseediting.com).


TDS is always seeking talented creatives to uplift and promote. If you craft fiction, poetry, art, or screenplays in the subgenres of gothic, horror, fantasy, or psychological realism, don’t hesitate to SUBMIT to us.


The Creative Nook with Samir Sirk Morató

Samir Sirk Morató’s story STAND NOT AT YOUR GRAVE was featured in The Dark Forest on April 6. I was enthralled from the start by this story’s bleak, harsh atmosphere. The climactic moment was so intimate and disturbing. I wanted to learn more about Mx. Morató’s creative process, influences, and other works, so I requested an interview. Join me as I delve even deeper into the fascinating world of this amazing author.


TDS: Do you remember the particular moment when you realized you wanted to become a writer? Did a particular book or movie inspire you? Or something you experienced or observed?

Samir Sirk Morató: I don’t think I ever had the realization “hey, I want to be a writer.” That desire overtook me the same way boiling water overtakes a frog. I was a voracious reader and scribbler from day one; as a child, I littered countless composition notebooks with plagiarized retellings of stories I had just read. Horror story anthologies, science fiction, and dark swashbucklers – escapist fiction that embraced horrific outcomes without flinching – were lifeboats for me. I wanted to create those for someone else too.

TDS: What attracted you to the Gothic and Horror genres, and what would you say are your favorite books amongst them?

Samir Sirk Morató: Moody atmospheres, monsters, body horror, and the layered decadence of decay all attracted me to the Gothic and Horror genres at an early age, though I was a B-roll creature feature fan before I was anything else. Full disclosure: I prefer short stories to novels. Peter Watts’ “The Things,” Shirley Jackson’s “The Haunting of Hill House,” Jeff VanderMeer’s “Annihilation,” and Alan Moore’s 1980s “Swamp Thing” are all favorites of mine. If we started getting into my favorite movies we’d be here all day.

TDS: What do you find to be the most difficult task when approaching a new project?

Samir Sirk Morató: Figuring out how to turn ideas and a handful of notes into a fully realized, fleshed out story is always the hardest part for me. Without fail, every time I start a project, I overwhelm myself by imagining all the themes / threads in the final product, then despair over how complicated it seems. The solution to this is always simple: just write the damn rough draft. Worry about editing in finesse later.

TDS: What’s the best advice you’ve ever received about writing?

Samir Sirk Morató: Few pieces of writing, or sentences, are irreplaceable. Learn to let go. Don’t be afraid to reframe or restart if something isn’t working. In ceramics, there’s a tradition of taking failed works outside and shattering them before zealously trying again. That’s the attitude to have here too.

TDS: How do you feel your personal beliefs influence your creative projects? Any fascinating experiences or ideas that become infused in your creative work?

Samir Sirk Morató: For better or worse, who I am permeates my writing. My rural upbringing and longtime fascination with death influence everything. As a nonbinary person who has suffered from Depersonalization/derealization disorder (DPDR), I also have strong feelings – and questions! – about what it means to perceive and inhabit a body. What scares you when you spend every day longing to crawl out of your own skin? What is flesh, really?

My DPDR in particular influences my approach to Gothic and Horror. Mental illness is a staple in both genres. Sometimes its inclusion is compelling; oftentimes, it’s cruel. Disorders that include hallucinations or disconnection from reality tend to be portrayed with malignant ignorance. I’ve become numb to these depictions, but in my own projects, I reject them.

I aim to create horror that viscerally discomforts readers without mocking them. If they feel uncomfortable but understood, that’s even better.

TDS: Do you believe in writer’s block and, if so, what methods do you use to combat it?

Samir Sirk Morató: To me, writer’s block is all too real. Unfortunately, there’s no shortcut to getting around it. If I’m facing writer’s block I’ll designate time to write something, anything, and see if that helps. Sometimes, in severe cases, I abstain from writing and focus on other hobbies to let myself recharge. When I feel rested, I’ll buckle down and try to write again. There’s no point in looking for water in a dry well. You need to let it replenish itself. I remind myself that it’s also impossible to write if I haven’t been consuming new material or absorbing new experiences to write about. There’s a life outside the rough drafts.

TDS: Other than writing short stories, what other creative outlets do you enjoy? What are some of your other interests and hobbies?

Samir Sirk Morató: I love to embroider, create collage art, hike, and send postcards. I’m also a casual birder. That being said, fellow birders, please don’t ask me to identify any bird via calls. If it’s not a Red-winged Blackbird, a Red-tail, or a nuthatch I won’t know it.

TDS: Thank you so much for your time. One last question: What stories have you published since appearing in TDS?

Samir Sirk Morató: I haven’t been too active this year, but I have a forthcoming short story in Cuir Kitchen Brigade’s queer ecology anthology, which I’m thrilled about. Thanks for having me!


Samir Sirk Morató is a scientist and an artist. They draw much of their inspiration from their love of horror movies and their experiences in rural landscapes. Some of Samir’s work can be found in The Hellebore Issue #5, Color Bloq’s RED collection, and Somos En Escrito’s 2021 Extra Fiction Contest honorable mentions. To connect with Samir, visit them on Twitter (@bolivibird) and Instagram (@spicycloaca).


TDS is always seeking talented creatives to uplift and promote. If you craft fiction, poetry, art, or screenplays in the subgenres of gothic, horror, fantasy, or psychological realism, don’t hesitate to SUBMIT to us.


Fiona’s Guardians: A Review

Rating: 💀💀💀💀💀

“When she hires you, you’ll wish you were dead” is the tagline for Fiona’s Guardians by Dan Klefstad. After following the main character, Daniel, through his day-to-day life as a guardian for the vampire Fiona, the sentiment of the tagline is certainly understandable. Life has changed for vampires in the modern world. Now that modern policing includes far more sophisticated means of detection, vampires can’t so easily hunt down people like they used to. Humans nowadays have become their partners in crime, hired on as guardians to not only protect the vampires they serve, but they also must supply the blood, using an investment portfolio to buy the blood from secret suppliers who steal from hospitals. Fiona is a 250-year-old vampire. She requires 10 pints of blood every night, otherwise she begins to waste away, shriveling into a hideous, monstrous shell of her former self: “…her hair starts to fall out on the second. Then her skin wrinkles and begins to smell, and her eyes harden to the point where I think she’d eat an entire schoolyard of children. I work very hard to make sure I never see that look again” (234).

The one who makes the tremendous commitment as a vampire guardian must be willing to give up any connection with their family and friends and say goodbye to vacations. The plus sides of the job: recreation with the finest wines and Cuban cigars. Oh, and how about a frocking great retirement settlement, somewhere in the realm of 10 million dollars. When we are introduced to Daniel, he is in the process of retiring. He’s given his all to Fiona, even lost an arm in his service to her. Daniel is a man nearly stripped of all his sense of humor; the rosy tint has completely faded from his view of life, and it’s easy to understand why. Enter Wolf, Daniel’s upcoming replacement for the job, who’s ignorant and arrogant, though not necessarily stupid. Daniel hopes to quickly get him trained and hand over the reins for good, though there’s a little complication that gets in the way. Yes, little is an understatement. How about a complication hundreds of years in the making?

Mors Strigae is an order of monks existing within the Catholic church. The full name for this group is a mouthful: “The Prefect for the Sacred Congregation for the Inquiry into all Things Preternatural.” Back in 1900 they battled the vampires, and now they’re on the rise again, also adapting to the modern world with more sophisticated weapons and technology for hunting down vampires, and their devotion to the mission has been deepened by hundreds of years of tradition. Both vampires and guardians alike are being hunted down and executed.

The novel jumps between the point-of-view of those in the vampire clan and those serving within Mors Strigae with quite a balanced approach throughout the narrative, meaning the reader attains a very in-depth understanding of the intentions of both sides. This produces an intriguing effect. It never becomes clear who the good or bad guys are. The reader can easily sympathize with either side for various reasons. The vampires are hell-bent on surviving. Obtaining blood is their only purpose in life, and they will reach to any extreme to attain it. Many of those sired to become vampires become so without a choice. They are victims in the purest sense, damned to their state of endless lust and done so completely against their will. The reader can easily sympathize with this wretched state. Yet, one can easily sympathize with those who serve Mors Strigae. They are the protective force surrounding humans, preventing us from falling to either death by the vampire or the worse state of becoming a vampire. It should be obvious that we root for them. Right? It’s not, because the novel shows the contradictions that exist within Mors Strigae, their own moments of ignorance, moments when their own lust for power destroys them. One of the great strengths of this novel is its ability to explore with depth the contradictions between both sides.

Well-executed dialogue is another strength. The dialogue crackles with life and feels genuine to the characters. One of my favorite passages involves a conversation between Daniel and Wolf during their first meeting:

            I grab my fresh drink. “And how do we pay for all this bloo—”

            “The product?” Daniel’s voice drowns me out, and he
scolds me with a look. “You invest her money.” Then he
swirls the dark, heavy liquid under his nose before sipping
“Lately we’re staying away from tech stocks. New admini-
stration, playing it safe. We’re in toothpaste, deodorant—
stuff people use every day.”

            “So they smell good if we experience a ‘hang-up.’”

            “Very funny.”

            “Tell me: How often will I… disappear people?” (pg. 27)

This exchange between Daniel and Wolf depicts their personalities well. Daniel’s sense of humor is all dried up; he’s all business and knows the serious cost if things aren’t done right. Wolf is ignorant and arrogant; he’s still not sure if he believes any of it or not. The dialogue flows so naturally and reveals so much about the characters. The reader will find that Klefstad’s deft touch with dialogue drives the narrative along. Much of the time the wonderful dialogue keeps the reader turning pages.

The narrative is told in the first-person form, jumping from different characters’ point-of-views. One chapter in particular, titled “Epistles,” utilizes an epistolary method, taking us back to 1900 when the order of monks Mors Strigae first battled the mysterious vampires near a small village called Campoleone. This chapter is pivotal, lending a sense of depth and intrigue to the story as a whole. Letters between Abbot Martinez and Cardinal Soriano tell the story, unveiling much of the folklore surrounding the vampires. We learn of the origins of Mors Strigae as well as the meaning of the vampire name— “striga”—meaning “evil spirit” or “witch.” The vampire hunters come to learn during encounters with the strigae that much of their folklore is debunked. For instance, crucifixes and holy water do nothing but make the vampires angry. Yet silver does have an effect on them, prompting the monks to produce armor made of silver. Also, the old practice of stabbing the heart and removing the head before cremation is unnecessary to those who are victims of a vampire attack, for it takes more than mere exsanguination to transform someone into a vampire. The old conflict between science and religion comes up as well, when Abbot Martinez mentions the continued rise of diarrheal diseases due to the haphazard disposal of waste amongst the men of the camp. The Abbot had been reading scientific journals and realizes better hygiene practices such as providing shovels in the brethren’s travel kits for the purpose of waste disposal could protect the men from the growing plague of dysentery. We well know that the standard-bearer for the vampire genre—Bram Stoker’s Dracula—is suffused with themes about advancing technology prevailing and/or conflicting with age-old superstitions, and that’s the other reason this chapter in the book is so entertaining—it lends depth and intrigue and serves as a homage to Bram Stoker’s vampire tale.

Fiona’s Guardians by Dan Klefstad displays the full entertainment package. Some moments are dark, gritty, and disturbing. Others are lightened by fun, comedic timing. And still other moments are titillating and lustful. All of it resonates with a strong sense of adventure. You will find unexpected plot twists and complex characters wrestling the contradictions within themselves. I strongly recommend reading this book.    

You can find Dan Klefstad’s Fiona’s Guardians on AMAZON.


RATINGS: TDS rates all books based on the dark content and how well the reading experience lends itself. Of course, author craft, storytelling, and mechanics are considered, as well. For this purpose, we use skulls (💀💀💀💀💀). And explanation of the skull system follows.

RATING: 💀 Boring, not dark, not interesting. Do not recommend.

RATING: 💀💀 Fair plot, not too dark, fairly interesting. Read at own risk.

RATING: 💀💀💀 Good plot and mild darkness, good reading experience. Encouraged read.

RATING: 💀💀💀💀 Great reading experience with heaps of dark tone. Strong recommend.

RATING: 💀💀💀💀💀 Excellent prose, tons of dark tone. A MUST READ!


Do you have a short story, piece of art, poem, or screenplay that you think might be a good fit for Dark Sire? If so, visit darksiremag.com/submissions.html.

A Brief History of Gothic Literature

At THE DARK SIRE we are incredible fans of the Gothic genre.  Our go to author is Edgar Allan Poe.  Who can deny the dark, eerie settings in stories like The Fall of the House of Usher or The Pit and the Pendulum?  His critics at the time accused him of being too heavily influenced by German authors.  But if that were the case, who influenced the German writers?  Now, for me, all of this begs the question: Where did the Gothic genre come from?  Someone had to write the first story, and succeeding authors had to build on that.  So, I did the research (just in case there were other fans of the genre like me out there) and, with the sources of John Mullan, the Lord Northcliffe Professor of Modern English Literature at University College London and the other researchers at the British Library, I discovered:

Gothic fiction began as a sophisticated joke. Horace Walpole first applied the word Gothic in The Castle of Otranto: A Gothic Story, published in 1764.  When he used the word, it meant something like barbarous, having devolved from a word used in the Middle Ages.  Walpole pretended that the story itself was an antique relic – complete with a preface that claims a translator discovered the tale – and was published in Italian in 1529. According to this origin story, the book was discovered “in the library of an ancient Catholic family in the north of England.” The story itself, “founded on truth,” was written three or four centuries earlier still. Some readers were duly deceived by this fiction and aggrieved when it was revealed to be a modern fake.

The novel itself tells a supernatural tale in which Manfred, the gloomy Prince of Otranto, develops an irresistible passion for the beautiful young woman who was to have married his son and heir. The novel opens memorably with this son being crushed to death by the huge helmet from a statue of a previous Prince of Otranto, and throughout the novel the very fabric of the castle comes to supernatural life until villainy is defeated. Walpole, who made his own house at Strawberry Hill into a mock-Gothic building, had discovered a fictional territory that has been exploited ever since. According to Professor Mullan, Gothic involves the supernatural (or the promise of the supernatural), and it often involves the discovery of mysterious elements of antiquity, and it usually takes its protagonists into strange or frightening old buildings. With this imagery in mind, Walpole was trying to recreate the visual and physicality of the Gothic in real life.

In the 1790s, novelists rediscovered the world that Walpole had imagined. The queen of Gothic novelists at that time was Ann Radcliffe.  Her most famous novel, The Mysteries of Udolpho (1794) took its title from the name of a fictional Italian castle where much of the action is set.  Like Walpole, she created a brooding aristocratic villain, Montoni, to threaten her resourceful virgin heroine, Emily, with an unspeakable fate.  All of Radcliffe’s other novels are set in foreign lands, often with lengthy descriptions of sublime scenery.  Udolpho is set amongst the dark and looming Apennine Mountains.  Radcliffe was known to derive her settings from travel books.  While other authors of the time chose Gothic for their subtitle, Radcliffe chose a different word to accompany the title on the front cover: Romance. Around this time, Minerva Press was providing reading material to the eager public who was hungry for this new kind of fiction.

Gothic then soon leaned toward natural, if complicated, explanations.  Gothic truly came alive in the thoughts and anxieties of the characters.  Gothic showcased the fear of the supernatural rather than the supernatural itself.  And some authors, like Matthew Lewis, strove to go to the extreme – experimenting the outrageous of the Gothic tale. In his The Monk (1796), Lewis wrote a plethora of supernatural occurrences, including ghosts, demons, and Satan himself.

A second wave of Gothic novels in the 2nd and 3rd decades of the 19th-Century established new conventions.  Mary Shelley’s Frankenstein (1818) gave a scientific form to the supernatural formula. Charles Maturin’s Melmoth the Wanderer (1820) featured a Byronic anti-hero who had sold his soul for a prolonged life.  And James Hogg’s elaborately titled The Private Memoirs and Confessions of a Justified Sinner (1824) is the story of a man pursued by his own double.  A character’s sense of encountering a double of him- or herself, also essential to Frankenstein, was established as a powerful new Gothic motif.  Doubles crop up throughout Gothic fiction, the most famous example being the late 19th-Century Gothic novella The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson.

This motif is one of the reasons why Sigmund Freud’s concept of the uncanny (or unheimlich, as it is in German) is often applied to Gothic fiction. In his 1919 paper “The Uncanny,” Freud drew his examples from the Gothic tales of E. T. A. Hoffmann in order to account for the special feeling of disquiet – the sense of the uncanny – that they aroused. He argued that the making strange of what should be familiar is essential to this, and that it is disturbing and fascinating because it recalls us to our original infantile separation from our origin in the womb.

And this brings us to our favorite author Edgar Allan Poe.  He used many of the standard properties of Gothic (medieval settings, castles and ancient houses, aristocratic corruption) but turned these into an exploration of extreme psychological states. He was attracted to the genre because he was fascinated by fear.  In his hands Gothic was becoming horror, a term properly applied to the most famous late-Victorian example of Gothic, Bram Stoker’s Dracula.  The opening section of Dracula uses some familiar Gothic properties: the castle whose chambers contain the mystery that the protagonist must solve; the sublime scenery that emphasizes his isolation. Stoker learned from the vampire stories that had appeared earlier in the 19th century (notably Carmilla (1872) by Sheridan Le Fanu, who was his friend and collaborator) and exploited the narrative methods of Wilkie Collins’s sensation fiction.  Dracula is written in the form of journal entries and letters by various characters, caught up in the horror of events. The fear and uncertainty on which Gothic had always relied is enacted in the narration.

Meanwhile, Gothic had become so influential that we can detect its elements in much mainstream Victorian fiction. Both Emily and Charlotte Bronte included intimations of the supernatural within narratives that were otherwise attentive to the realities of time, place and material constraint.  In the opening episode of Wuthering Heights, the narrator, Lockwood, has to stay the night at Heathcliff’s house because of heavy snow. He finds Cathy’s diary, written as a child, and nods off while reading it. There follows a powerfully narrated nightmare in which an icy hand reaches to him through the window, and the voice of Catherine Linton calls to be let in. The vision seems to prefigure what he will later discover about the history of Cathy and Heathcliff. Half in jest, Lockwood tells Heathcliff that Wuthering Heights is haunted; the novel, centered as it is on a house, seems to exploit in a new way the Gothic idea that entering an old building means entering the stories of those who have lived in it before.

Two of Charlotte Brontë’s novels, Jane Eyre and Villette, feature old buildings that appear to be haunted.  As in the Gothic fiction of Ann Radliffe, the apparition seen by Jane Eyre in Thornfield Hall, where she is a governess, and the ghostly nun glimpsed by Lucy Snowe in the attic of the old Pensionnat where she teaches, have rational explanations.  But Charlotte Brontë likes to raise the fears of her protagonists as to the presence of the supernatural, as if they were Gothic heroines.  Gothic still provides the vocabulary of apprehensiveness.  Similarly, Wilkie Collins may have introduced into fiction, as Henry James said, “those most mysterious of mysteries, the mysteries which are at our own doors,” but he liked his reminders of traditional Gothic plots.  In The Woman in White, all events turn out to be humanly contrived, yet the sudden appearance to the night-time walker of the figure of “a solitary Woman, dressed from head to foot in white garments” haunts the reader as it does the narrator.  The Moonstone is a detective story with a scientific explanation, but we never forget the legend that surrounds the diamond of the title, and the curse on those who steal it – a curse that seems to come true.  The final triumph of Gothic is to become, as in these examples, a vital thread within novels that otherwise take pains to convince us of what is probable and rational.

As I pointed out earlier, one really useful term for thinking about Gothic writing is uncanny.  Gothic fiction often strives to reach those uncanny moments in which the reader suddenly recognized somebody who seems unfamiliar and strange or has an identity that the reader already knows but is not quite human. 

Now, this whole concept of the uncanny leads me to examine how American Exceptionalism took the Gothic genre and turned it into something truly unique.  In another blog, I will examine the rise of American Southern Gothic stories.


THE DARK SIRE is always looking for Gothic fiction, art, and screenplays to add to our issues. If you have something that delves into psyche, traverses the dark and twisted, and has the eeriness of Poe, we’re waiting for you to submit to us.

TDS Turns Two: An Interview with Founder, Bre Stephens

October 31, 2019, The Dark Sire was born! To celebrate our birthday, the new EIC of TDS, J.L. Vampa, sat down for an interview with our founder, Bre Stephens.

Bre has 13 years of experience as a writer, publisher, educator, literary judge, and editor. She has worked as Editor-in-Chief of a TDS and has taught university composition, technical writing, and creative writing. Bre holds an MA in English and Creative Writing, an M.Ed. in ESL, and a BA in Art History. In her spare time, she loves attending Japanese festivals and learning more about world cultures.

“Give a Voice to the Voiceless.”

-Bre Stephens, TDS Founder

TDS: We’re turning two! Congratulations to you, our founder. Can you tell us a little about what led you to begin a literary magazine, now a journal, especially one such as TDS?

Bre Stephens: While studying for my second masters degree, one of my professors asked the class how we would give back to the writing community. At the time, I didn’t think I could. I mean, I was a graduate student who was a writing professor. I didn’t think there was anything left to do other than write my stories. But then, after searching for publication opportunities, I found a major gap in publishing and became aware of all the censorship that magazines employ. The answer to my professor’s question was clear: Start a magazine that specializes in genre fiction and run it without censorship. To this day – 2.5 years after its creation, TDS has provided opportunities for writers that have given them a voice, which is our motto: “Give a Voice to the Voiceless.” 

TDS: You’ve poured your heart and soul into this phenomenal literary magazine. What are some of your favorite memories with TDS over the last two years?

Bre Stephens: There are literally too many to list, but I’ll try to highlight a few. By Issue 2, TDS was an international magazine – in readership and in represented creatives. I was honored to publish some works that were rejected elsewhere due to censorship; authors told me that it took them, at times, years before finding TDS and getting their voices back. The 1st Annual TDS Creative Awards is a special memory to me because I was able to give back to all my authors; we all had fun and everyone loved the skull trophies. And, I will never forget the joy of working with my authors, sometimes with content or editing, and other times with creative consultations. Most of all, though, my ultimate memory is creating a family, where creatives come together, get support, and are uplifted because we are all TDS Family.

“A magazine that specializes in genre fiction and run it without censorship.”

-Bre Stephens, TDS Founder

TDS: So much has changed for TDS since the inception of your idea and the release of Issue One. Even more has changed recently with a new EIC, a fresh, incredible logo, and more. With a new year and a new era descending upon TDS, what are some of the things you’re looking forward to? 

Bre Stephens: Everything! I know the new EIC is going to be amazing. She’s all about aesthetics and sticking to the original TDS brand. She’s the one who crafted the newest cover and TDS logo. If I had to narrow it down, I’m looking forward to seeing the covers for Issues 10-12, the new TDS Book Boxes, new TDS merchandise (mugs, shirts, mousepads), and a brand-new website that will be for a JOURNAL (not magazine). All of those things are just around the corner.

TDS: What would you say is the most valuable lesson you’ve learned on this journey as founder and editor of TDS?

Bre Stephens: This journey has taught me so much about publishing, genre, and craft of writing. When I first started TDS, I didn’t really know much about the industry; I learned by doing – and making mistakes. Now, I’m a professional in the publishing industry, a literary agent, and an even better editor. All these skills, and my career growth, is directly influenced by my work at TDS. I wouldn’t be where I am today had I not undergone this wonderful adventure.

TDS: TDS has distinct roots in our founding fathers, but what would you say are the three books that most influenced you personally, as both Founder/EIC and in your life?

Bre Stephens: Instead of books, per se, let’s talk genre and specific pieces. Poe was a heavy influence on me as a child. I remember writing like him when I was just 8 and 10 years old. By the time I was a teen, I was crafting short fiction daily in the vein of Poe. A few of his works that are my favorites, and still influence me today, are Tell Tale Heart, Hop-Frog, Fall of the House of Usher, and, my favorite poem of all time, Annabel Lee. Also as a teen, I loved Anne Rice. Her Vampire Chronicles was my bloodline. I combined my love of Poe with the vampires of Rice to create a writing style all my own. To this day, I use that style; though, now, it’s more sophisticated. Put these together and you have the major influencers of TDS. Just add Tolkien for high fantasy and Dostoevsky for psychological realism, and you have the major players needed to create a magazine (nee journal!). 

“My ultimate memory is creating a family, where creatives come together, get support, and are uplifted because we are all TDS Family.”

-Bre Stephens, TDS Founder

TDS: You are an author yourself. What originally sparked your love of writing and editing as well as the desire to champion other authors? 

Bre Stephens: The championing of others comes naturally with my personality. However, championing writers, specifically, comes from my professor’s questions of how I was going to give back to the writing community. With my education and natural energy, I easily became an advocate for the writing community. My love of writing started when I was 6 years old, which is when I wrote my first stage play (5 whole pages!). My 1st grade class had read a play – or maybe discussed plays, and I immediately was interested in writing one. Writing stuck with me from that point. As for editing, I’ve always loved grammar and after studying it when I was earning my undergrad degree, I just fell in love with the process of editing. Add some courses for my second masters degree (in English & Creative Writing) and it was just destiny. 

TDS: When did you know this was a career you wanted to pursue? Has it always been a dream of yours to start a literary journal?

Bre Stephens: I never considered a career in creative writing. My writing is for myself, no publication really needed. However, after about 1.5 of running TDS, I knew it was something I wanted to pursue more seriously. It led me to founding a small press (bscpublishinggroup.com), where uplifting authors is the number one governing rule, and to becoming a literary agent. I am now in the best position to advocate for and uplift writers, making their career goals a reality. I didn’t find the career, the career found me – and I’m glad it did.   

“I didn’t find the career, the career found me – and I’m glad it did. “

-Bre Stephens, TDS Founder

TDS: Since the journal’s inception, you’ve handled everything from submissions, to editing, to publication and event planning. What is your favorite part of working on The Dark Sire?

Bre Stephens: Layout!!! Taking the raw stories and editing them to fit the TDS Style Guide; formatting the pages for consistency; inputting settings; planning the artwork to go with the works accepted for the issue, which includes pairing the artwork with a specific story. All of that would go under publication, of course, but specifically, layout is my favorite – and I’m going to miss it. 

Help TDS celebrate our 2nd birthday by sharing on social media and don’t forget to get your copy of our newest issue, which is Issue 9, and available now!


TDS proudly brings you gothic, horror, fantasy, and psychological realism
from talented creatives. You can order past and current issues
from the TDS Store.

TDS Enters a New Era

With TDS’ second birthday just around the corner (Halloween), a new era of all-things THE DARK SIRE has come. With the new look and feel comes a new Editor-in-Chief. But let’s start from the beginning…

If you’re new to TDS, we are a quarterly speculative journal for the unconventional reader, founded in 2019 by Bre Stephens to appeal to those who love the darker-toned fiction, poetry, art, and screenplays. TDS’s founding fathers are the ever-talented and influential Edgar Allan Poe (Gothic), Mary Shelley (Horror), J. R. R. Tolkien (Fantasy), and Fyodor Dostoevsky (Psychological Realism).

Major Changes

First, TDS has updated its branding. The covers, as you might have noticed in the feature image of this post, have completely changed. One of the most notable differences is the name: TDS will no longer be a literary magazine, but a literary journal. This slight difference in verbiage going forward really encompasses the overall feel of TDS and the professionalism we offer to both our readers and writers. That’s because a journal lasts longer than a magazine, seen as a valued piece of writing for years to come. Since we value our creatives, seeing them as family members – and are always thinking of how better to uplift them, being a journal just suits us better. That said, TDS will continue to publish the same great content you’re accustomed to.

Second, we have a great new logo. Simple yet dynamic, the powerful image encompasses TDS’ gothic roots, while also holding onto the traditional black and red coloring.

To go along with the new logo, TDS has a new title design. Though not red, it highlights the gothic and harkens back to Edgar Allan Poe, himself. It’s perfect to usher in this new TDS Era!

The third major change is none other than the introduction of a brand-new Editor-in-Chief, Jane Lenore (J.L.) Vampa.

J.L. Vampa

J.L. Vampa is a published author of Dark Fantasy and Victorian Gothic fiction. She has a background in journalism and in editing, both short and long fiction. J.L. also owns a macabre-style bookish shop and lives in Texas with her musician husband and their two littles who are as peculiar as their parents. 

As the new EIC, J.L.’s main focus is two-fold: To preserve the pillars that have established the TDS brand and to uplift even more creatives for a stronger community.

“I want TDS to be a place where the often-overlooked can
sit at the table and have their craft appreciated, published,
and read by readers who truly thirst for the unconventional.
In addition, I’ll strive to continue to build a strong community
for our authors, poets, and artists, as well as our readers.”

Saying that TDS is changing is an understatement. A better way of putting it is that we’re rebranding, reinventing, and revitalizing ourselves. And you are NOT going to want to miss any part of our new look and feel reveal. More information, updates, and content will be released throughout October, our birthday month.

Look out – The New Era of TDS is now!

The Creative Nook with Corey Nyhus

by Zachary Shiffman

A red-skinned demon. A winged abomination with a curved blade. An insect – wide-eyed and dying – ripped from the pages of Kafka. These are images that can only come from the mind of an artist. I wanted to gain a glimpse into that mind, so I invited Corey Nyhus, an artist currently living in New York, into THE DARK SIRE’s Creative Nook on YouTube.

We started by discussing some of the images mentioned above — such as Redboy, the demon who acts as a sort of mascot to Nyhus’ works, as well as the blade-wielding Corvian and Nyhus’ Metamorphosis-inspired piece, “Kafkaesque.” We discussed the tools used to create these characters and pieces and how they relate to Nyhus’ vision, along with the relationship between handwriting and art.

Nyhus and I also talked about the dynamic between himself and his art — how the mind can affect the artistic and vice versa. Then we discussed Nyhus’ recommended readings, including the web comic Kill Six Billion Demons by Tom Parkinson-Morgan and surrealist novel The Vorrh by Brian Catling.

I had a blast interviewing Nyhus. If you like horror and gothic art as much as I do, then you’ll love this interview!

https://youtu.be/cxboVaL3JHM

September New Release Books

It’s time to look ahead and see what the publishers are offering in our favorite genres. What mouth-watering, mind-expanding delights are awaiting us in the up-coming month? There are a few on this list that I, personally, can’t wait to sink my teeth into. How about you?

GOTHIC

September 21th

The Bronzed Beasts by  Roshani Chokshi. This is the third book in The Gilded Wolves Series. After Séverin’s seeming betrayal, the crew is fractured. Armed with only a handful of hints, Enrique, Laila, Hypnos and Zofia must find their way through the snarled, haunted waterways of Venice, Italy to locate Séverin.

Meanwhile, Séverin must balance the deranged whims of the Patriarch of the Fallen House and discover the location of a temple beneath a plague island where the Divine Lyre can be played and all that he desires will come to pass.

With only ten days until Laila expires, the crew will face plague pits and deadly masquerades, unearthly songs and the shining steps of a temple whose powers might offer divinity itself… but at a price they may not be willing to pay.

September 28th

Horseman: A Tale of Sleepy Hollow by  Christina Henry. In this atmospheric, terrifying novel, everyone in Sleepy Hollow knows about the Horseman, but no one really believes in him. Not even Ben Van Brunt’s grandfather, Brom Bones, who was there when it was said the Horseman chased the upstart Crane out of town. Brom says that’s just legend, the village gossips talking.Twenty years after those storied events, the village is a quiet place. Fourteen-year-old Ben loves to play Sleepy Hollow boys, reenacting the events Brom once lived through. But then Ben and a friend stumble across the headless body of a child in the woods near the village, and the sinister discovery makes Ben question everything the adults in Sleepy Hollow have ever said. Could the Horseman be real after all? Or does something even more sinister stalk the woods?

The House of Dust by Noah Broyles. Deep in the heat and silence of rural Tennessee, down an untraveled road, sits the forgotten town of Three Summers. Mere miles away, on an overgrown river island, stands the house that once presided over the grand plantation of Angel’s Landing, moss-draped, decrepit. Waiting.

Failing crime writer Bradley Ellison and former prostitute Missy Holiday are drawn to this place, fleeing a world turned against them. For Brad, it is work—he must find a compelling story before the true-crime magazine he writes for judges him expendable. For Missy, it is recuperation—four years at “the club” have left her drained.

But the price of peace is high, and soon Brad and Missy discover that something hides behind the quiet. Something moves in the night. Something that manifests itself in bizarre symbols and disturbing funeral rites. Something that twists back through time and clings in the dust of the ancient house. A presence they must uncover before their own past catches up with them.

The Liar Of Red Valley by Walter Goodwater. Don’t trust the Liar. Don’t go in the River. Do not cross the King. In Red Valley, California, you follow the rules if you want to stay alive. But even that isn’t enough to protect Sadie now that she’s unexpectedly become the Liar: the keeper and maker of Red Valley’s many secrets.

In a town like this, friendships are hard-won and bad blood lasts generations, and when not everyone in town is exactly human, it isn’t a safe place to make enemies.

And though the Liar has power—power to remake the world, with just a little blood—what Sadie really needs is answers: Why is the town’s sheriff after her? What does the King want from her? And what is the real purpose of the Liar of Red Valley?


HORROR

September 7th

Certain Dark Things by  Silvia Moreno-Garcia. Welcome to Mexico City, an oasis in a sea of vampires. Domingo, a lonely garbage-collecting street kid, is just trying to survive its heavily policed streets when a jaded vampire on the run swoops into his life. Atl, the descendant of Aztec blood drinkers, is smart, beautiful, and dangerous. Domingo is mesmerized.

Atl needs to quickly escape the city, far from the rival narco-vampire clan relentlessly pursuing her. Her plan doesn’t include Domingo, but little by little, Atl finds herself warming up to the scrappy young man and his undeniable charm. As the trail of corpses stretches behind her, local cops and crime bosses both start closing in.

Vampires, humans, cops, and criminals collide in the dark streets of Mexico City. Do Atl and Domingo even stand a chance of making it out alive? Or will the city devour them all?

Empire Of The Vampire by Jay Kristoff. Twenty-seven years have passed since the last sunrise, and for almost three decades, the creatures of the night have walked the day without fear. Once, humanity fought bravely against the coldblood legions, but now, we exist only in a few scattered settlements—tiny sparks of light in a growing sea of darkness.

Gabriel de León is the last of the Silversaints, a holy order dedicated to defending realm and church, now utterly destroyed. Imprisoned for the murder of the vampiric king, Gabriel is charged with telling the story of his life.

His tale spans years, from his youth in the monastery of San Michel, to the forbidden love that spelled his undoing, and the betrayal that saw his order annihilated. Most importantly, Gabriel will tell of his discovery of the Grail—the legendary cup prophesied to bring an end to the eternal night.

But the Grail was no simple chalice; and its secret was held by a smart-mouthed teenage urchin named Dior. Their journey with a band of unlikely allies would see Dior and Gabriel forge an unbreakable bond, and set the broken paragon on a road to redemption.

But now, the Grail is shattered. And with the cup of the Savior destroyed and the last Silversaint awaiting execution, what can bring an end to this unholy empire?

No Gods, No Monsters by Cadwell Turnbull. One October morning, Laina gets the news that her brother was shot and killed by Boston cops. But what looks like a case of police brutality soon reveals something much stranger. Monsters are real. And they want everyone to know it.

As creatures from myth and legend come out of the shadows, seeking safety through visibility, their emergence sets off a chain of seemingly unrelated events. Members of a local werewolf pack are threatened into silence. A professor follows a missing friend’s trail of bread crumbs to a mysterious secret society. And a young boy with unique abilities seeks refuge in a pro-monster organization with secrets of its own. Meanwhile, more people start disappearing, suicides and hate crimes increase, and protests erupt globally, both for and against the monsters.

At the center is a mystery no one thinks to ask: Why now? What has frightened the monsters out of the dark? The world will soon find out.

The Bones of Ruin by Sarah Raughley. As an African tightrope dancer in Victorian London, Iris is used to being strange. She is certainly a strange sight for leering British audiences always eager for the spectacle of colonial curiosity. But Iris also has a secret that even “strange” doesn’t capture…​ She cannot die.

Haunted by her unnatural power and with no memories of her past, Iris is obsessed with discovering who she is. But that mission gets more complicated when she meets the dark and alluring Adam Temple, a member of a mysterious order called the Enlightenment Committee. Adam seems to know much more about her than he lets on, and he shares with her a terrifying revelation: the world is ending, and the Committee will decide who lives…and who doesn’t.

To help them choose a leader for the upcoming apocalypse, the Committee is holding the Tournament of Freaks, a macabre competition made up of vicious fighters with fantastical abilities. Adam wants Iris to be his champion, and in return he promises her the one thing she wants most: the truth about who she really is.

If Iris wants to learn about her shadowy past, she has no choice but to fight. But the further she gets in the grisly tournament, the more she begins to remember—and the more she wonders if the truth is something best left forgotten.

The Haunting of Leigh Harker by Darcy Coates. Sometimes the dead reach back… Leigh Harker’s quiet suburban home was her sanctuary for more than a decade, until things abruptly changed. Curtains open by themselves. Radios turn off and on. And a dark figure looms in the shadows of her bedroom door at night, watching her, waiting for her to finally let down her guard enough to fall asleep.

Pushed to her limits but unwilling to abandon her home, Leigh struggles to find answers. But each step forces her towards something more terrifying than she ever imagined.

A poisonous shadow seeps from the locked door beneath the stairs. The handle rattles through the night and fingernails scratch at the wood. Her home harbours dangerous secrets, and now that Leigh is trapped within its walls, she fears she may never escape.

Do you think you’re safe? You’re wrong.

The Summoning by J.P. Smith. When it comes to contacting the dead, it’s easy to go a step too far. Every year, as the anniversary of 9/11 inches closer on the calendar, Kit Capriol scans the memorials published in the New York Times. It’s a simple thing to look up a name and phone number, to reach out to surviving family members who might still be yearning for connection with their lost loved one… to offer assistance. After her husband went down in the north tower, Kit scraped by as an actress, barely supporting herself and her daughter. But now Zoey is in the hospital, bills are due, and the acting work has dried up. Becoming a medium is almost too easy for someone used to pretending for a living—and desperate clients aren’t hard to come by.

Now, though, something has changed. The seances Kit holds in her apartment are starting to feel unsettlingly real, and the intriguing man she met at a local bar could be more complicated than he seems. As the voices of the dead grow louder in her head and the walls of her apartment close in, Kit realizes that despite her daughter’s absence, she hasn’t been quite as alone as she thought…

September 28th

Court by Tracy Wolff. This is the fourth book in the CRAVE SERIES. This series is a TWILIGHT-like YA series written especially for modern youth and filled with your typical brooding teenagers both vampire and normal. The series follows the adventures of Grace who, after the death of her mother, moves to a small part of Alaska where her uncle and cousin run a boarding school which is not your normal boarding school.

The Ex Hex by Author Rachel Hawkins, writing as Erin Sterling. Nine years ago, Vivienne Jones nursed her broken heart like any young witch would: vodka, weepy music, bubble baths…and a curse on the horrible boyfriend. Sure, Vivi knows she shouldn’t use her magic this way, but with only an “orchard hayride” scented candle on hand, she isn’t worried it will cause him anything more than a bad hair day or two.

That is until Rhys Penhallow, descendent of the town’s ancestors, breaker of hearts, and annoyingly just as gorgeous as he always was, returns to Graves Glen, Georgia. What should be a quick trip to recharge the town’s ley lines and make an appearance at the annual fall festival turns disastrously wrong. With one calamity after another striking Rhys, Vivi realizes her silly little Ex Hex may not have been so harmless after all.

Suddenly, Graves Glen is under attack from murderous wind-up toys, a pissed off ghost, and a talking cat with some interesting things to say. Vivi and Rhys have to ignore their off the charts chemistry to work together to save the town and find a way to break the break-up curse before it’s too late.

The Last Graduate by Naomi Novik. Book 2 in the Scholomance Series. A budding dark sorceress determined not to use her formidable powers uncovers yet more secrets about the workings of her world in the stunning sequel to A Deadly Education, the start of Naomi Novik’s groundbreaking crossover series.

At the Scholomance, El, Orion, and the other students are faced with their final year—and the looming specter of graduation, a deadly ritual that leaves few students alive in its wake. El is determined that her chosen group will survive, but it is a prospect that is looking harder by the day as the savagery of the school ramps up. Until El realizes that sometimes winning the game means throwing out all the rules . . .

September 30th

Shaula by A.M. Kherbash. The second book in The Stringer Series. The sight of the body did not sicken Ben. Not right away. Guilt was what got him: the mounting consequences rising in his throat, and the truth which would inevitably come spilling out.

Sometime after the events at Duncastor (See Lesath), two men are dispatched to make a delivery. It was a straightforward assignment: take the sealed cargo—a container roughly the size of a child’s casket—and deliver it to a reclusive specialist residing in a lakeside cabin. What this specialist did or specialized in was never mentioned. Not that it mattered, when the task was simple—simple enough that even a young and inexperienced bureaucrat like Ben could handle it. If only he weren’t charged with keeping an eye on his wayward senior.

The lakeside cabin was the last remnant of a closed down resort, which Ben guessed was bought by a dummy corporation belonging to their employers. All the other cabins were torn down, leaving them with an empty property that served to distance the lakeside cabin from public grounds. Something about it reminded Ben of the horticultural practice of pruning spent flowers to further enhance the beauty of the crowning blossom. Not that it did anything to improve the cabin’s appearance he observed, as they stood in front of the stocky wooden building, sheltered under interlacing branches of towering evergreens. Much like the faded photos, an eerie hush permeated the place: no breeze ruffled the reflected image on the lake’s surface, nor whispered through the green needles above. It was all very quiet.


FANTASY

September 14th

A Dark and Starless Forest by Sarah Hollowell, When her siblings start to go missing, a girl must confront the dark thing that lives in the forest—and the growing darkness in herself—in this debut YA contemporary fantasy for fans of Wilder Girls.

Defy The Night by Brigid Kemmerer. A fantasy about a kingdom divided by corruption, the prince desperately holding it together, and the girl who will risk everything to bring it crashing down.

The kingdom of Kandala is on the brink of disaster. Rifts between sectors have only worsened since a sickness began ravaging the land, and within the Royal Palace, the king holds a tenuous peace with a ruthless hand.

King Harristan was thrust into power after his parents’ shocking assassination, leaving the younger Prince Corrick to take on the brutal role of the King’s Justice. The brothers have learned to react mercilessly to any sign of rebellion–it’s the only way to maintain order when the sickness can strike anywhere, and the only known cure, an elixir made from delicate Moonflower petals, is severely limited.

Out in the Wilds, apothecary apprentice Tessa Cade is tired of seeing her neighbors die, their suffering ignored by the unyielding royals. Every night, she and her best friend Wes risk their lives to steal Moonflower petals and distribute the elixir to those who need it most–but it’s still not enough.

As rumors spread that the cure no longer works and sparks of rebellion begin to flare, a particularly cruel act from the King’s Justice makes Tessa desperate enough to try the impossible: sneaking into the palace. But what she finds upon her arrival makes her wonder if it’s even possible to fix Kandala without destroying it first.

September 21th

The Leopard Behind The Moon by Mayonn Paasewe-Valchev. There are three important laws in Ezomo’s village: Do not go to The Valley, do not go out at night, and never, ever, ever open the magical door that protects them all. But when Ezomo encounters the leopard believed to have killed his father, he and his two best friends embark on a journey that leads them past the boundaries set by their elders.

With his friends by his side, Ezomo chases after the leopard, certain that it has the power to cure all, and in the process he discovers the true history of his village, and that cautionary tales exist for a reason.

The Wolf’s Curse by Jessica Vitalis. Twelve-year-old Gauge’s life has been cursed since the day he witnessed a Great White Wolf steal his grandpapá’s soul, preventing it from reaching the Sea-in-the-Sky and sailing into eternity. When the superstitious residents of Bouge-by-the-Sea accuse the boy of crying wolf, he joins forces with another orphan to prove his innocence. They navigate their shared grief in a journey that ultimately reveals life-changing truths about the wolf––and death.

September 28th

Beasts Of Prey by Ayana Gray.

Magic doesn’t exist in the broken city of Lkossa anymore, especially for girls like sixteen-year-old Koffi. Indentured to the notorious Night Zoo, she cares for its fearsome and magical creatures to pay off her family’s debts and secure their eventual freedom. But the night her loved ones’ own safety is threatened by the Zoo’s cruel master, Koffi unleashes a power she doesn’t fully understand–and the consequences are dire.

As the second son of a decorated hero, Ekon is all but destined to become a Son of the Six–an elite warrior–and uphold a family legacy. But on the night of his final rite of passage, a fire upends his plans. In its midst, Ekon not only encounters the Shetani–a vicious monster that has plagued the city and his nightmares for nearly a century–but a curious girl who seems to have the power to ward off the beast. Koffi’s power ultimately saves Ekon’s life, but his choice to let her flee dooms his hopes of becoming a warrior.

Desperate to redeem himself, Ekon vows to hunt the Shetani down and end its reign of terror, but he can’t do it alone. Meanwhile, Koffi believes finding the Shetani and selling it for a profit could be the key to solving her own problems. Koffi and Ekon–each keeping their true motives secret from the other–form a tentative alliance and enter into the unknowns of the Greater Jungle, a world steeped in wild magic and untold dangers. The hunt begins. But it quickly becomes unclear whether they are the hunters or the hunted.


PSYCHOLOGICAL REALISM

September 7th

The Final Child by Fran Dorricott. Erin and her brother Alex were the last children abducted by ‘the Father’, a serial killer who only ever took pairs of siblings. She escaped, but her brother was never seen again. Traumatized, Erin couldn’t remember anything about her ordeal, and the Father was never caught.

Eighteen years later, Erin has done her best to put the past behind her. But then she meets Harriet. Harriet’s young cousins were the Father’s first victims and, haunted by their deaths, she is writing a book about the disappearances and is desperate for an interview. At first, Erin wants nothing to do with her. But then she starts receiving sinister gifts, her house is broken into, and she can’t shake the feeling that she’s being watched. After all these years, Erin believed that the Father was gone, but now she begins to wonder if he was only waiting…

The Magician by Colm Toibin. An epic family saga set across a half-century spanning World War I, the rise of Hitler, World War II. The novel opens in a provincial German city at the turn of the twentieth century, where the boy, Thomas Mann, grows up with a conservative father, bound by propriety, and a Brazilian mother, alluring and unpredictable. Young Mann hides his artistic aspirations from his father and his homosexual desires from everyone. He is infatuated with one of the richest, most cultured Jewish families in Munich, and marries the daughter Katia. They have six children. On a holiday in Italy, he longs for a boy he sees on a beach and writes the story Death in Venice. He is the most successful novelist of his time, winner of the Nobel Prize in literature, a public man whose private life remains secret. He is expected to lead the condemnation of Hitler, whom he underestimates. His oldest daughter and son, leaders of Bohemianism and of the anti-Nazi movement, share lovers. He flees Germany for Switzerland, France and, ultimately, America, living first in Princeton and then in Los Angeles.

In a stunning marriage of research and imagination, this novel explores the heart and mind of a writer whose gift is unparalleled and whose life is driven by a need to belong and the anguish of illicit desire. The Magician is an intimate, astonishingly complex portrait of Mann, his magnificent and complex wife Katia, and the times in which they lived—the first world war, the rise of Hitler, World War II, the Cold War, and exile. This is a man and a family fiercely engaged by the world, profoundly flawed, and unforgettable.”

September 9th

Keep Me Close by Jane Holland. Someone is hurting the most vulnerable person in your life, but they can’t tell you who it is. What would you do?

When shy publisher Kate Kinley finds mysterious bruises on her mother’s arms she assumes the worst. Suffering with early onset dementia, her mother insists that nothing is wrong; it was just a clumsy accident. But was it an accident, or has her mother’s illness made her forget what really happened?

In desperate need of someone she can trust, her isolation and paranoia grow as the closest people in her life become key suspects.

With each heart-stopping revelation, Kate begins to realise that the perpetrator is no longer interested in inflicting bruises; they want blood.

Keep Me Close is a compelling story of gross immorality, a cautionary tale of how easily wicked people can take advantage of the vulnerable elderly people in your life.

September 14th

Dark Things I Adore by Katie Lattari. A Gone Girl-esque tale of atonement that proves that in the grasp of manipulative men, women may momentarily fall. But in the hands of fierce women, men will be brought to their knees.

Three campfire secrets. Two witnesses. One dead in the trees. And the woman, thirty years later, bent on making the guilty finally pay.

1988. A group of outcasts gather at a small, prestigious arts camp nestled in the Maine woods. They’re the painters: bright, hopeful, teeming with potential. But secrets and dark ambitions rise like smoke from a campfire, and the truths they tell will come back to haunt them in ways more deadly than they dreamed.

2018. Esteemed art professor Max Durant arrives at his protégé’s remote home to view her graduate thesis collection. He knows Audra is beautiful and brilliant. He knows being invited into her private world is a rare gift. But he doesn’t know that Audra has engineered every aspect of their weekend together. Every detail, every conversation. Audra has woven the perfect web.

Only Audra knows what happened that summer in 1988. Max’s secret, and the dark things that followed. And even though it won’t be easy, Audra knows someone must pay.


So many amazing books coming out next month!
Which will you be reading?


TO OUR READERS: Do you have a favorite author that you would like THE DARK SIRE to keep track of? Or did we miss a title that came out that should have been listed? Let us know in the comments. We love to uplift amazing writers. In fact, if you drop the name of an author for us to include, we will add them to our future new release lists – which are now a MONTHLY staple of The Dark Forest. Check back at the end of September for our late Fall and early Winter new releases.

And don’t forget to ORDER TDS’ DARK SUMMER Issue 8. More details available at darksiremag.com/issue8.html.

Camelot’s Reckoning: A Review

Rating: ⚜️⚜️⚜️⚜️

If you are fans of the Arthurian legend, you are sure to get a kick out of Caleb Kelly’s CAMELOT’S RECKONING.  It’s a new twist on the legend and the characters will keep you turning the pages.  In fact, when you get to the end, you will be shouting for more.

This is a high fantasy story that doesn’t start off like one.  It starts us off at an archeological dig as Oliver is on his quest to find Excalibur, the fabled magic sword of King Arthur.  In fact, the legend and search for the sword has consumed his life and practically ruined his reputation in the archeological world.  However, this time he is on to something, and he needs his twin brother to help him continue the search.

Which brings us to a small problem:  Oliver’s brother, Roland, is a lawyer in a high-profile law firm who is bucking for partnership, while sleeping with his boss’ trophy wife.  Roland has problems that don’t include his brother, and a life that couldn’t be more different than his archaeologist brother.

In order to get his brother to accompany him to Scotland in pursuit of the sword, Oliver has to sabotage Roland’s life and get him fired from his job.  In Scotland, Oliver finds Excalibur AND its sister sword.  The brothers are swept into an alternate dimension, a magical one set up by Merlin where they learn that the two swords were wielded by Arthur and Sir Kay.  Kay and Arthur were of one mind and accord and worked in tandem with each other.  Oliver and Roland learn from Garrison, a shape-shifting apprentice to Merlin, that for the magic to work, they, too will have to work together.  And that’s a major problem because Oliver and Roland do not think alike, and thus they disturb the swords’ magic.  Things that are supposed to happen don’t, and vice verse, causing all kinds of chaos to ensue.

As I read this story, one thing really caught my attention: Mr. Kelly’s attention to detail. This book is the first in the Primis Vipris Saga (series). I appreciated that the author spent the time needed to really introduce his characters to the readers.  He methodically charted Oliver’s and Roland’s lives in such a way that I understood them, knew them. These characters were real.  We see Oliver working through the puzzle that is an archeological dig:

“Oliver wiped his brow with the back of his gloves, took them off, and
hurled them against the toolbox across from him.  He got up from the
dirt and brushed away the loose soil from his brown khakis and sweat-
stained tee shirt.  He grabbed hold of the edge of the pit and hoisted
himself out and on to the edge…”

We follow Roland on an intricate court case, one that Oliver sabotages in order to get his brother to accompany him:

“Roland flipped through the files in his lap as the lead prosecutor of
his firm marched back and forth at the front of the courtroom.  He
stopped for a moment to listen to what was unfolding.  The room
was drenched in palpable tension as the veteran lawyer paced in
front of the witness stand.  He stopped and thumbed through the
layers of documentation inside the manila folder.  Anticipation of
the trial had left the entire city of Greenville on edge as the
proceeding unfolded.”

I felt like I was right there, witnessing the events unravel firsthand. With this kind of detail, Mr. Kelly takes us into his magical world; into Merlin’s magic books; and into the confrontation against dragons.  Will Oliver and Roland be able to defeat the beasts? Only if they can manage to come together, strengthen their bonds, and act as one – like Arthur and Kay before them. Their adventure, humanity, and brotherly struggles make this book a page turner.

Be forewarned, however! This book ends at a cliffhanger, one that will make you scream for Book 2. That’s not a bad thing, but there is no information for when Book 2 will be released, so try to remain patient as you wait for the Saga to continue.

Because this story is cleverly written and delves into wonderful characterization, with great attention to detail, I give it a four Fleur de Lis.  If you are looking for a different take on the Arthurian legend in a high fantasy story, you will thoroughly enjoy CAMELOT’S RECKONING. I highly recommend it!

You can find Caleb Kelly’s Camelot’s Reckoning on AMAZON.


RATINGS: TDS rates all books based on the dark content and how well the reading experience lends itself. For fantasy, the craft of world building and the story’s classification (high, epic) is also of interest. As always, author craft, storytelling, and mechanics are considered, as well. For this purpose, we use Fleur-de-lis (⚜️). An explanation of the Fleur-de-lis system follows.

RATING: ⚜️
Boring, flat fantasy elements, not interesting. Do not recommend.

RATING: ⚜️⚜️
Fair plot, below average fantasy elements but fairly interesting. Read at own risk.

RATING: ⚜️⚜️⚜️
Good plot and average fantasy elements, good reading experience. Encouraged read.

RATING: ⚜️⚜️⚜️⚜️
Great reading experience with heaps of wonderful fantasy elements. Strong recommend.

RATING: ⚜️⚜️⚜️⚜️⚜️
Excellent prose, amazing fantasy elements, well-written. A MUST READ!

The Creative Nook with Dan Stout

by Zachary Shiffman

Dan Stout is no stranger to THE DARK SIRE. He has served as a judge for THE DARK SIRE Awards for two years now, providing us with his invaluable perspective on submissions. So we were excited to get that same perspective into THE DARK SIRE’s Creative Nook on YouTube, where I sat down with Stout to discuss a range of topics surrounding the April release of his latest novel, Titan Song.

Titan Song is the third installment in Stout’s The Carter Archives, a noir-fantasy series that blends magic with mystery, murder, and disco. In the interview Stout and I discussed the series and his various balancing acts within it. How do you write an overarching narrative while maintaining a standalone quality to each book? How do you blend mystery and fantasy? And how did these two concepts come together in The Carter Archives? Stout delved into his interweaving of disparate ideas into the final (immensely entertaining) product.

Further into the interview, Stout talked about The Carter Archives’ social themes, such as the depiction of the working class and how that compares to other fantasy media. We also discussed his take on magic (“manna”), his perspective on research, his own personal process for writing, and Stout’s other passions.

We ended the interview with a brief discussion of Stout’s future works and how to stay up to date with them via the Campfire, Stout’s monthly newsletter that you can join on his website.

You can watch the whole interview on THE DARK SIRE’s YouTube channel!

https://youtu.be/g5du2Cgz-mo

The Psychology of Psychological Realism

Psychological Realism is a narrative genre that explores the internal thought processes and motivations of its characters.  The method of narration in the story explores the characters, both protagonists and antagonists, spiritual, emotional and mental lives in order to put meaning to their behavior.  At THE DARK SIRE we hold the works of Fydor Dostoevsky to be the pinnacle of this genre; however, authors like Henry James, Stendhal, and Knut Hamsun are also to be considered at the top of the list.

The success of a Psychological Realistic novel rests solely on the painstaking detail with which the author describes/examines/dissects the various relationships, desires and struggles of the characters.  Much of it boils down to the whole idea of what is real.  A person’s reality is the product of their individual perception of what is happening around them.  We tend to thing of reality as what we can see, feel, hear or experience in some way.  But in reality, no two people see, feel, hear or experience the same event in the same way.  Each person filters that event through the psychological veil that makes that individual an individual.  It is the classic problem of the accident that is viewed from three different vantage points by three different people.  Each person has seen the event, but that does not necessarily mean that each person will describe the event in the same way.  Kurosawa’s RASHOMON is a perfect example in movie form of this phenomena.

This genre allows authors to explore the gritty underbelly of human nature as a character interacts with their environment whether that environment is the slums of St. Petersburg or the social elite enclaves of the New York 400.  However, one of the most interesting facets of this genre is that it also includes the reader’s response to what he or she is reading.  The author of a psychological piece is also asking for the readers to make an interpretation on the actions, thoughts and emotions of the characters in the story… which leads us to an interesting juxtaposition.

The very nature of a psychological realism story forces the reader to internalize that which they are reading.  Is the character correct in what they are doing?  Or is that character mistaken because of their internal thought process is in error?  Like the witness to the accident in the example above, each reader must decide, based on their own psychological make up, whether or not the character in the story is reacting properly to the basic situation at the story’s core.  Which leads us to the interesting conundrum that readers from different generations will interpret the same story differently.  One generation might find a story amusing and the following generation might take offense at it.  Mark Twain’s HUCKLEBERRY FINN is a prime example of this.

So, what we have in Psychological Realism is a confrontation between the character’s social and environmental realities interpreted by a reader’s social and environmental realities.  Maybe that’s what makes Psychological Realism so fascinating: the author forcing the reader to confront the characters’ psyches through the veil of their own.

Fyodor Dostoevsky is known for delving into the psychology of humanity and wrote that psychology into his work. And that’s what we at THE DARK SIRE love about the psychological realism we publish. The tales delve into the psyche of the characters – their motivation, emotions, reasoning. A good psychological tale – and some would say a crossover from Gothic Literature – conveys the the torment of the character itself, through world building, mood, and tone.

We’re always looking for those stories that examine the psyche of its characters, especially those with dark sensibilities. Issue 4 is our favorite for its psychological realism content. But, we need more!

If you write psychological realism, submit at darksiremag.com/submissions.html.

The Creative Nook with Richard Chizmar

by Zachary Shiffman

Odds are, you’ve heard of Richard Chizmar. The horror giant is the editor of several anthologies, the founder of horror press Cemetery Dance, and the author of multiple works, including the book The Girl on the Porch and the novella Gwendy’s Magic Feather (the sequel to Gwendy’s Button Box, which Chizmar co-authored with Stephen King). What you may not know is that Chizmar is no stranger to THE DARK SIRE literary magazine; he played a role in THE DARK SIRE Creative Awards Ceremony in February 2021, presenting the award for Best Fiction. And so, it was the natural next step for me to invite him into THE DARK SIRE Creative Nook on YouTube for an interview.

Our first topic of discussion was Chizmar’s next book, which will be released on August 17th, 2021: Chasing the Boogeyman, a small-town thriller surrounding a serial killer. In the interview, Chizmar delves into the backstory of the novel—its inspiration, how it developed, and the intriguing quasi-autobiographical elements to it. Chizmar described the book as a sort of “campfire story” that any reader will be able to have a good time with. And if his previous works are any indication, then he’s correct and you should add Chasing the Boogeyman to your TBR list today.

We moved on to talk about horror and writing in general, from Chizmar’s process to the disparate experiences of writing his various projects (including those conjoined with Stephen King). We also delved into his role at Cemetery Dance and how Chizmar balances writing and publishing. Finally, we closed the interview with Chizmar’s advice to emerging writers and anyone attempting to enter the publishing industry.

This interview is chalk full of great information that will entertain readers and writers alike. You’re not going to want to miss a single second of it!

https://youtu.be/YvQbIBsaWU0

Mother of the King: A Review

Rating: ⚜️⚜️⚜️⚜️⚜️

Excellent prose. Amazing fantasy elements. Novelette, 27 pages. A MUST READ.

For those of you who like light fantasy, especially dealing with the Arthurian legend, you will thoroughly enjoy Rami Ungar’s Mother of the King.  When originally presented to me, I thought I would be reviewing a novel.  But Mother of the King is a novelette, making it longer than a short story, but shorter than a novella. But let me just say, up front, that regardless of its category, it is a wonderful read, easily consumed in one sitting.

The story takes place in England in an undisclosed future, post-apocalyptic time, in which a new Arthur, that’s right, Arthur, is about to initiate a scientific plan that will protect Great Britain against the world domination assaults of her enemies and keep her as an oasis in what is becoming a dystopian world. 

The story is a confession told from the point of view of Misty Addison, the mother of Arthur Thomas Addison, the Field Marshal of the British Army and future husband to the queen, and the mastermind behind the Camelot System, which will place a protective shield around Great Britain to protect her from those who desire world domination. It is a destiny story that he doesn’t know, and since he is about to become the once and future king, Misty feels he needs to know just how destiny chose her son.

Mr. Ungar does a marvelous job combining history, myth, and fantasy in an easy-flowing story.  He moves us like pieces on a chessboard – from the past to the present to the past, weaving the story of the new Arthur’s rise to a position of prominence. Mr. Ungar deftly separates his Arthur story from the English legend of King Arthur.  According to Misty, much of what the world knows about Arthur is “bollocks;” much of the legend like Merlin, the affair of Lancelot and Guinevere, the evil sorceress Morgan le Fay, the Holy Grail, Excalibur and others were added by later storytellers, many of whom were not even British. But what was true was that “an Arthur” would arise in England’s hour of need.

Mr. Unger also manages to make Arthur’s mother act like a mother, which I found to be a brilliant storytelling touch.  She is down to earth and witty and shows the emotion of a mother protecting her child, yet is also there to give him sage advice in matters of the heart.  In effect, she becomes his Merlin, steering him to become the man who could embody the spirit of the legendary Arthur in England’s time of trouble.

THE MOTHER OF THE KING is a touching story without being maudlin. This novelette is an extremely well-crafted story. There is a sense of foreboding that lurks in the background.  But it is a danger that the lead characters in the story handle or are handling without transferring their dread to the reader.  As a reader, you are swept along by Misty’s optimism in the face of potential doom. The main characters have a confidence that makes one feel that everything will be all right. 

This novelette deserves the five Fleur de Lis. It flows along in such a way that you don’t want to stop reading it. It captures you from its opening line and sweeps you along to its cliff-hanging conclusion. It takes you from the past to the present to a possible future, and in the face of total destruction, it leaves you with hope.

You can find Rami Ungar’s Mother of the King on AMAZON.


RATINGS: TDS rates all books based on the dark content and how well the reading experience lends itself. For fantasy, the craft of world building and the story’s classification (high, epic) is also of interest. As always, author craft, storytelling, and mechanics are considered, as well. For this purpose, we use Fleur-de-lis (⚜️). An explanation of the Fleur-de-lis system follows.

RATING: ⚜️
Boring, flat fantasy elements, not interesting. Do not recommend.

RATING: ⚜️⚜️
Fair plot, below average fantasy elements but fairly interesting. Read at own risk.

RATING: ⚜️⚜️⚜️
Good plot and average fantasy elements, good reading experience. Encouraged read.

RATING: ⚜️⚜️⚜️⚜️
Great reading experience with heaps of wonderful fantasy elements. Strong recommend.

RATING: ⚜️⚜️⚜️⚜️⚜️
Excellent prose, amazing fantasy elements, well-written. A MUST READ!

July and August New Release Books

Time.  There is no getting around it.  It takes time to write a book and put it through the process that eventually gets it into the hands of readers.  And all we can do is wait.  To help pass the time, here are a few of the anticipated books in our favorite genres:

GOTHIC

AUGUST 19

A Corruption of Blood by Ambrose Perry
Fans of the Perry collaboration should look forward to this tale in which a person’s status cannot evade a fate written in blood. Dr Will Raven is a man seldom shocked by human remains, but even he is disturbed by the contents of a package washed up at the Port of Leith. Stranger still, a man Raven has long detested is pleading for his help to escape the hangman.


HORROR

AUGUST 3

A Lesson in Vengeance by Victoria Lee This is s a twisted, atmospheric thriller about a girls’ boarding school haunted by history and witchcraft.

The Perfect Place to Die by Bryce Moore Jack the Ripper meets the Devil in the White City.  When Zuretta’s youngest sister disappears during the Chicago World’s Fair, she follows in her sister’s footsteps taking a job an hotel called the Castle.  The job turns into more than she bargained for.

AUGUST 5

Long Shadows by Jodi Taylor This is the third in Ms. Taylor’s supernatural series. The identity of Elizabeth Cage has always been a mystery. Even she doesn’t know who she is. But someone has suspicions.

AUGUST 10

Ghost Girl by Ally Malinenko This story follows the adventures of a middle-grade student, who, although she loves ghost stories, never expected to live one.

Mark of the Wicked by Georgia Bowers   A young witch tries to unravel the mystery of who is framing her for dark magic.

AUGUST 17

Chasing the Boogeyman by Richard Chizmar Mr. Chizmar masterfully blends Horror and True Crime.  It’s clever, heartrending, and terrifying in the best tradition of Stephen King. In the summer of 1988, the mutilated bodies of several missing girls begin to turn up in a small Maryland town. The grisly evidence leads police to the terrifying assumption that a serial killer is on the loose in the quiet suburb. But soon a rumor begins to spread that the evil stalking local teens is not entirely human. **Look for the TDS interview of Richard Chizmar on 8/10, where we talk about the release of Chasing the Boogeyman.**

AUGUST 24

Bad Witch Burning by Jessica Lewis   Is a live body worth more than a dead apparition?  I guess you’ll have to read the novel to find out.


FANTASY

AUGUST 3

A Dragonbird in the Fern by Laura Rueckert
When a princess is murdered, her vengeful spirit is doomed to remain with her loved ones until that murder has been avenged.

Monster Hunter Bloodlines by Larry Correia The chaos god Asaq has been quite since the destruction of the City of Monsters, but Monster Hunter International knows that he is still out there, somewhere, plotting for his chance to unravel reality.

August 10

Escape from Puroland by Charles Stross
Bob Howard has been assigned to police the Yokai, traditional magical beings.  A simple assignment turns into a deadly confrontation.

The Devil Makes Three by Tori Bovalino   Tess finds herself working at her boarding school’s library dealing with the intolerable patrons.  The worst of whom is Eliot Birch who is constantly requesting forbidden grimoires.  Together the two of them accidentally unleash a book-bound demon.

The Other Me by Sarah Zachrich Jeng One minute, Kelly is a free-spirited artist in Chicago.  The next, she opens a door and mysteriously emerges in her Michigan hometown.  Suddenly her life is unrecognizable.  She’s got twelve years of the wrong memories and she’s married to a Eric, a man she barely knew in high school.

AUGUST 17

The Endless Skies by Shannon Price  It will be released August 17th.  Shape-shifting warriors are sent on a dangerous mission behind enemy lines to find the fabled cure for a disease that is affecting their children.

AUGUST 19

Red Wolf by Rachel Vincent   For as long as sixteen-year old Adele can remember the village of Oakvale has been surrounded by the dark woods.  It is a forest filled with horrible monsters and that light cannot penetrate.  Adele is one of a long line of guardians, women who are able to change into wolves whose jobs is to protect the village without letting any of the villagers know of their existence.

AUGUST 31

Forestborn by Elayne Audrey Becker
Rora, a shifter with magical powers, uses her abilities to spy for the king.  When a magical illness surfaces in the kingdom, it’s up to Rora to discover the truth.

Fury of a Demon by Brian Naslund This novel is the thrilling conclusion of the Dragons of Terra trilogy. Action-packed and full of fast-paced adventures, the story follows Bershad, the most successful dragon slayer in history—he’s never lost a fight. But now he’s faced with a dangerous conundrum: kill a king or be killed.

Requiem of Silence by L. Penelope This is the fourth book in the Earthsinger Chronicles.  Former assassin Kyara will discover that she is not the only Nethersinger.  She will need to join the others to harness a power that can save or end Elsira.  But time is of the essence and they may not be ready by the time the True Father strikes.


PSYCHOLOGICAL REALISM

AUGUST 3

Damnation Spring by Ash Davidson Told through three different points of view, it is the compassionate portrait of a community and a vanishing way of life amid the perils of environmental degradation.

AUGUST 5

The Perfect Life by Nuala Ellwood Vanessa has always found it easy to pretend to be somebody different, somebody better.  When things get tough in her real life, all she has to do is throw on some nicer clothes, adopt a new accent and she can escape.  Until she couldn’t.

AUGUST 24

A Million Things by Emily Spurr This story follows 55-days in the life of a 10-year old after she wakes up one morning and finds her mother gone.  It’s a gut-wrenching tale of abandonment and what it’s like to grow up in a house that doesn’t feel safe.  It’s an astonishing psychological portrait of resilience, mental health and families we make and how they make us.


So much to choose from, so little time to read everything!
Get your TBR lists ready, because you’re not going to
want to miss any of the above new releases.


TO OUR READERS: Do you have a favorite author that you would like THE DARK SIRE to keep track of? Or did we miss a title that came out in July/August that should have been listed? Let us know in the comments. We love to uplift amazing writers. In fact, if you drop the name of an author for us to include, we will add them to our future new release lists – which are now a MONTHLY staple of The Dark Forest. Check back at the end of August for our Fall new releases.

And don’t forget to ORDER TDS’ DARK SUMMER Issue 8, set to release on July 31. More details available at darksiremag.com/issue8.html.

Celebrating TDS Issue 8: DARK SUMMER

Let’s celebrate the July 31st release of Issue 8!

To celebrate the release of Issue 8, we’re hosting a TDS Authors Event! The events is this Saturday, July 31st, from 11am – 1pm at The Bibliophile Bookstore in Dover, Ohio. Issue 8 authors will read their work from Issue 8, discuss their writing processes, and sign paperback copies of Issue 8. Come meet John Kiste (Kettering Hall, Issue 2; Tropical Excursion, Issue 8), S. M. Cook (Kyuuketsuki, Issues 1-5; Vampire – Intense, Issue 8), Krista Canterbury Adams (Erebus: Darkness, Issue 4; Nyx Unnested and Phantom Queen, Issue 8), and Rami Ungar (Blood and Paper Skin, Issue 8). And did we mention that literary agent Bre Stepehens (brendaleestephens.com) will be there to talk to any authors? Yep, get your pitches ready because she’s building her list! Anyone attending the event will be eligible for a free giveaway drawing, with prizes including digital and paperback copies of Issue 8, copies of attending author’s books, and other TDS swag.

And now for the Issue 8 reveal of content…

THE DARK SIRE strives to bring you the best in Gothic, Horror, Fantasy and Psychological Realism literature, and Issue 8 doesn’t disappoint. In fact, it’s packed full of original, spine-tingling stories, poems, and artwork by top-notch authors. And this time, we even have a fantasy screenplay! Here’s what you will find inside:

SHORT FICTION

Grave Fools by Maureen Mancini Amaturo — (Gothic) — A vampire’s loyal servant works diligently to find the best resting place for his master.

The Bookworm by Taylor Hood — (Psychological Realism) — A story-starved boy confronts his zealous father in a darkened room lit only by a halo of light. Their struggle, the consequence of a family destroyed, pits two worldviews against each other. Either the boy must go on endlessly reciting his father’s beloved holy text, or he must at last find freedom.

Tropical Excursion by John Kiste — (Horror) — A man finds fun in the sun, but his day out is interrupted when he’s confronted about his crimes.

We by Alyssa Netters — (Psychological Realism) — A relationship gone wrong until one stood strong to overcome the debilitating effects of being held down. This story was inspired by the need for mental health awareness in today’s society.

Hand in Hand, Dear Sister by Connor Pope — (Horror) — A distraught sister must do the unthinkable to save her sister. This piece is a 100-word flash fiction short story.

Thirst by Zachary Toombs — (Gothic) — In the night, Lex must hunt to survive, but he must listen to more than just his fangs to successfully fetch his prey.

Six Feet by Julie Zack — (Dark Fantasy) — As with most things, it was the mother’s fault. She hadn’t seen the harm in letting the boy run around the cemetery on a summer evening. It was socially distant, after all. That was until they came across a man in a hat, and their lives would be forever changed.

POETRY

Skewered Memory by Casey Aimer — A couple must overcome a psychological break, caused by infidelity, if they are to survive. This poem touches on mental health awareness.

Nyx Unnested by Krista Canterbury Adams — The night is not as dangerous as when the Nyx appear, there to hover, haunt, and devour. The moon will not save you this eve, for the Nyx are utter and pure darkness. Nyx Unnested won 1st place in the TDS Gothic Summer Contest in May 2021.

Phantom Queen by Krista Canterbury Adams — The woods glow brightly, hungering for destruction and chaos. Will it ever find peace?

Vampire – Intense by S.M. Cook — A vampire awakens, hungry, and goes out for a bite.

The Beginning by Dee Espinoza — Dracula, a fallen angel who was cast out of heaven after a holy war and banished to Earth, creates an army of undead blood thirsty creatures.

HOMETOWNWOTEMOH by E. M. Roy — A free-verse poem about the familiar becoming strange the longer you look at it. The longer the speaker exists within her hometown, the more places she knows like the back of her hand start to eat her alive. HOMETOWNWOTEMOH won 2nd Place in the TDS Gothic Summer Contest in May 2021. 

ART

Shaun Power’s This Is Fear is our feature cover art for this issue.  The look, even the style of his pictures, vary wildly on his state of mind. Fortunately for us, he was in a dark mood when he created this pastel on A4 paper.  Other artwork by Shaun in this issue include Hand of Fate and Perchance the Dream.

Also featured in this issue are the abstract works of Christian-Rhen Stefani.  Her style, known as COLORISM, is a mix of Abstract Expressionism and mood creation.  In this issue we present her The Land beyond the Surface and River of Consciousness.

SCREENPLAY

Hobgoblins by James Hancock — (Fantasy) — A young woman ends up trapped in an enchanted storybook and must complete the story to escape.

SERIALIZATION

Blood and Paper Skin by Rami Ungar — (Horror) — Several young adults go out to buy drugs one night, only for some of them to be kidnapped and held in a mysterious jail by their would-be dealer. Their captor, whom they call Old Man, lets them know he has a horrible purpose in mind for them. And if they don’t find a way out of the jail, more than just their lives will be lost.


Well, that’s it – like that isn’t enough! We know you’re going to love our delve into DARK SUMMER, our only themed issue of the year. Copies are now available. Order your copy through Bibliophile Bookstore (support indie booksellers!) or by visiting darksiremag.com/issue8.html.

Reality Meets Fiction: The New England Vampire Panic

by Barry Pirro

A century after the 1693 Salem witch trials, citizens of Rhode Island began hearing whispers and rumors of something that frightened them even more than witchcraft. They began to suspect that there were blood sucking vampires in their midst. Even more disturbing, they thought that the vampires were members of their own families, and that they had to be stopped at any cost. But like Stoker’s Van Helsing, these would-be vampire slayers were determined to hunt down each and every one to make sure they stayed where they belonged–in their graves. 

In June of 1784, The Connecticut Courant and Weekly Intelligencer published a letter to the editor from a Willington, Connecticut town councilman. In it, he cautioned readers against being influenced by a local doctor who was encouraging families to dig up and burn their relatives’ bodies. The letter said that several children’s bodies had been exhumed at this doctor’s request, and that families were told that the burning of the bodies would stop consumption, now known as tuberculosis, from spreading throughout the family. 

Today, the claims in the letter may sound far-fetched. Even laughable – but they were true. In the late 18th century, people actually were digging up their dead family members’ bodies and burning them because they thought that they were vampires. 

Where did this gruesome practice of exhuming and desecrating dead bodies originate? Many immigrants came to America from Europe, and with them came their traditions, folklore, and superstitions. Throughout Europe, exhuming the bodies of those thought to be vampires was not uncommon. Some corpses were beheaded. Others had their feet bound with thorns to keep them in their graves. If a body was badly decomposed, the skull would be placed facing backwards, and the rest of the bones were carefully rearranged to prevent the vampire from rising. Further methods used to keep the undead down included placing a sickle over the skeleton’s neck, putting a stone in the skull’s mouth, or pinning the skeleton to the ground with a stake. 


The first recorded case of New England vampirism was that of Rachel Harris Burton from Manchester, Vermont. In 1790, Rachel died of tuberculosis less than a year after marrying Captain Isaac Burton. A year later, the Captain married Rachel’s stepsister, Hulda, and soon after she began exhibiting symptoms similar to Rachel’s. 

Around this time, rumors of vampirism had begun spreading across New England, so family and friends began to suspect that Rachel had risen from the grave as a vampire and was making Hulda sick by sucking her blood. The Captain agreed and decided that something must be done about it. So, on a frigid day in February of 1793, three years after Rachel’s death, over 500 Manchester residents gathered at the cemetery to watch as the liver, heart and lungs were removed from Rachel’s exhumed, rotting corpse, placed on a blacksmith’s forge, and set on fire. 

Sadly, Hulga died seven months later. Because the ‘cure’ didn’t work, the townspeople figured that Rachel hadn’t been a vampire after all. Their conclusion? Witchcraft must have been responsible for Hulda’s sickness and death. 


One of the most famous cases of the New England vampire panic occurred in 1799 in Exeter, Rhode Island. One night, a farmer named Stuckley Tillinghast had a disturbing dream in which half of his apple orchard died. A few days later, his daughter Sarah came home complaining that she wasn’t feeling well. She took to bed, and, within a few weeks, died of tuberculosis. 

Several weeks later, the family was still grieving Sarah’s death when her brother James came down to breakfast one morning looking pale and sickly. He complained of feeling very weak, and that it felt as if there was a heavy weight on his chest. Then he said something chilling: Sarah came to him in the middle of the night and sat on his bed. He said that she didn’t speak, but that her pale form sat on the edge of the bed and stared at him all night long. Weeks later, James was dead. 

Shortly after James’ death, two more Tillinghast children died after saying that Sarah had visited them in the night. The family began to suspect that Sarah’s nocturnal visits meant that she was a vampire, and that she was returning from the grave to draw life from the remaining family members. 

A few months later, three more of the Tillinghast children died, then Honour Tillinghast, mother of the deceased children, became ill. She told her husband that all of her dead children kept coming to her in the night, and that she could hear their voices telling her to come with them. 

For Stuckley Tillinghast, this was the last straw. Early one morning he and his farmhand, Caleb, went out to the cemetery where his daughter Sarah was buried. They took with them a long hunting knife, a bottle of lamp oil, and two shovels. As the sun was rising, the two men dug up Sarah’s casket and turned back the creaking lid. 

Even though she had been dead over 18 months, Sarah looked as if she was just asleep. Seeing his daughter’s face looking flushed as if with blood, Stuckley took his hunting knife and thrust it deep into his daughter’s chest. He would later claim that as soon as the knife blade cut into her body, the wound gushed blood. Digging through flesh, muscle and bone, he cut out her heart and lay it on a nearby stone. There, he doused it with lamp oil and set it on fire. He and Caleb watched until the heart was reduced to ashes, then the two of them reburied Sarah. 

In the end, Stuckley Tillinghast’s dream had come true in a symbolic sense. Half of his ‘orchard’ (seven of his fourteen children) had died. After burning Sarah’s heart, Honour Tillinghast recovered from her illness, there were no more deaths in the family, and there were no further reports of Sarah appearing at night. To the Tillinghasts, the vampire curse had finally ended thanks to Stuckley’s intervention; and because the entire town knew how he had saved his family from further deaths, the belief in vampires was strengthened and the word spread near and far.


For the record, although the exhumation of bodies and the burning of hearts and other vital organs were often clandestine, lantern-lit affairs, some were quite public and even had an air of festivity. In 1830, one “vampire heart” was set on fire in front of a large crowd in the Woodstock, Vermont, town green; and in Manchester, up to a thousand people turned up to witness the burning of the heart, liver and lungs of a suspected vampire.    

Mary Brown of Exeter of Rhode Island has the distinction of being known as the last American vampire. George Brown must have felt as if his family was cursed. In 1883, tuberculosis claimed the life of his wife Mary. Six months later, his 20-year old daughter, Mary-Olive, succumbed to the same disease. Then in 1890 George’s only son, Edwin, contracted tuberculosis as well. George watched helplessly as his son struggled to breath, and constantly coughed up blood. While Edwin grew weaker and weaker, his 19-year-old sister Mercy died. 

George Brown was at his wits end. He had to do something to save his son Edwin, the only remaining member of his family. Since medical science failed to help Edwin, residents of Exeter began to suspect that vampires were the real culprit. They thought that either Edwin’s mother or one of his sisters must be one of the undead, and that they were leaving their grave at night to suck the life out of poor Edwin. 

On March 17, 1892, George Brown reluctantly agreed to allow his relatives and neighbors to exhume the bodies of his loved ones interred at the Chestnut Hill Cemetery in an effort to stop the disease. George said that he did not believe in vampires, but he was willing to try anything. 

That morning, a small crowd gathered in the graveyard behind the town’s Baptist Church, and the bodies of Mary Brown and Mary-Olive Brown were exhumed. They opened their caskets, but the only thing they found inside were bones–no surprise, since both had been dead and buried for nearly ten years. 

Next, they turned their attention to the casket of Mercy Brown who had been buried just eight weeks earlier. When the lid was lifted off of her coffin, the townspeople gasped in horror. Mercy was lying on her side, and her face was flushed as if she was still alive. Someone quickly took a long knife and thrust it into Mercy’s chest, then cut out her heart and lungs. Mysteriously, there was still blood in her heart and veins.

While he was unable to explain why Mercy was lying on her side in her coffin, Dr. Harold Metcalf, who had raised objections about the exhumations from the very start, said that the preserved state of the body was simply due to the short amount of time Mercy had been dead, and that the cold weather had preserved her body. 

The people of Exeter ignored the doctor’s explanations. They built a fire on a pile of rocks in the churchyard, then took Mercy’s heart and lungs and cremated them. But their job wasn’t done just yet. The group went to Edwin’s house with the ashes of his dead sister’s heart. They mixed the ashes with water, then fed them to him. Disgusting? Yes! But it was thought that this was the only way to prevent Edwin from dying. Sadly, and not unsurprisingly, the “cure” didn’t work, and he died two months later. 

Looking at the timeline of events, it’s baffling how anyone could have suspected that Mercy was responsible for her family’s illness, vampire or no vampire. Her mother and sister had died nearly 10 years earlier than she had, and her brother had become ill two years before she died. But cases of mass hysteria grow out of fear and superstition, and those caught up in the hysteria rarely stop to think whether or not any of it makes sense. 


In 1990, a group of boys playing near a hillside gravel mine in Griswold, Connecticut, found something that they thought was really cool–a skull that was in a grave with other bones. One of the boys ran home and showed his parents. The police were called, and it soon became clear that the bones were more than a century old. Archaeologists were called in to excavate the site, and they discovered that the bones were part of a large family burial plot from the colonial-era. 

A stone crypt was unearthed, and when the slab that covered the coffin was removed, archaeologists were shocked by what they discovered. Some time in the distant past, the bones of the individual buried there had been completely rearranged, and the skeleton had been beheaded. The beheading and other injuries to the bones were thought to have occurred roughly five years after death. The conclusion of all who examined the man’s remains was that he was suspected of being a vampire, and that his heart was removed to prevent him from rising out of his grave. 

The New England Vampire panic died out in the late 1800s after science finally discovered the cause of tuberculosis. But it illustrates what lengths people will go to protect themselves and their families. It’s only a matter of time before some new mass hysteria panic rears its ugly head. Whatever form it may take, historians will surely shake their heads and wonder, “What in the world were they thinking?”


“Reality Meets Fiction” is a series on non-fiction, real-life stories as experienced through personal accounts and investigations conducted by Barry Pirro, a paranormal investigator known as the Connecticut Ghost Hunter. Barry has over a decade of paranormal investigation experience and will share his stories every 4th Friday of the month. Don’t forget to catch his next article on August 27th. To learn more about the Ghost Hunter, visit http://www.connecticutghosthunter.com/.

READERS: What real-life vampire stories do you have? If you have experience with vampirism tell us about it in the comments. Better yet, write your non-fiction story and send it to us: darksiremag@gmail.com (subject: Vampirism Story). Your story may be picked to appear on our blog as a follow up to Barry’s.

WRITERS: Use Barry’s real-life story to inspire your creativity! Write a story on VAMPIRES (as predators!) and then submit it to us for publication consideration: https://www.darksiremag.com/submissions.html.

As always, thanks for supporting THE DARK SIRE! If you’re not following us, please do. We are on Twitter, Facebook, and Instagram under @DarkSireMag. And, of course, you can pick up a digital copy of our issues on the TDS website or paperback copies through Amazon and The Bibliophile Bookstore (Dover, Ohio).

Until we meet again, take care!

Psychological Realism and the Art of Knowing

I have saved talking about one of THE DARK SIRE’s favorite genres, Psychological Realism, for last, partly because I consider it one of the most difficult genres in which to write.  The genre focuses on the mental processes of the characters, which includes their inner thoughts, feelings, motives and behavior.  In other words, to write in this genre, you have to know people, really know people – and delve deep into characterization. 

Unlike the genres of Fantasy, Horror, or the Gothic, this genre literally deals with how people react to everyday life.  Now, their reactions are predicated on the psychological make up of who they are, which is why a good Psychological Realism writer has to be a student of human nature.  The writer needs to show not only what the characters do but also explain why they are taking those actions.  When you examine Crime and Punishment by the god-father of the genre, Fydor Dostoevsky, you meet characters who are engaged in distasteful and illegal acts motivated by their desperate financial situations.  Dostoevsky uses their motivations to examine the conditions of poverty. 

American writers took a slightly different tack with this genre.  They began to examine the question of the duality of a man’s nature.  Melville has a superlative chapter in Moby Dick on this topic:  Is Ahab, Ahab?  It was a question that even the Native Americans of the Northwest explored with their masks and totems.  Are we really who we think we are or is our external persona merely the mask for our real inner personality?  Other American authors continued with this theme.  The works of Henry James, Arthur Miller and Edith Warton look at the inner workings of their characters and the duality of their motivations.

Therefore the thing that makes Psychological Realism novels different is that their plot revolves around the emotional aspect of the story. The PR novel is internal. It deals with the perceptions of your characters. Is the character disturbed in some way? How does the character perceive reality? Does their emotions get in the way of their perception or does it dictate their perception?

When writing a PR story, you have to create strong characters who have strong emotional issues. Remember, most of the action is going to take place in your characters’ heads. The emphasis in this kind of story is not so much on action as it is on turmoil. You will have to create your suspense in unpredictable ways. This leads to major plot twists. Is one of your characters an unreliable narrator and if so, why? Why does your villain do what he or she or it does? Why does your protagonist respond in the way he, she, or it does? To write a good PR story, you have to be a student of human nature. You have to understand peoples’ flaws and how those flaws make them react.

Here are some things to consider to create a strong PS story:

Characterization. When writing a PR story, you have to create strong characters who have strong emotional issues. Remember, most of the action is going to take place in your characters’ heads. The emphasis in this kind of story is not so much on action as it is on turmoil. You will have to create your suspense in unpredictable ways. This leads to major plot twists. Is one of your characters an unreliable narrator and if so, why? Why does your villain do what he or she or it does? Why does your protagonist respond in the way he, she, or it does? To write a good PR story, you have to be a student of human nature. You have to understand peoples’ flaws and how those flaws make them react.

To understand your character, think of their family structure, who their parents are, what they and their family do for a living. How old are they? What schooling have they had? What struggles have they braved? What relationships have they experience? Married, divorced, kids? Do they like or hate their daily life? What do they do to relax? Simply put: Get to know what your character’s favorite things are, what they like and dislike, and what their deepest, darkest secrets are. Build a character that could live and breathe in the real world – even if their world is fantasy. Meaning: The character, be they hero or villain, should be 3-dimensional and alive, someone readers can relate to and connect with. To do this, you, as the author, need to know every bit about the characters you create.

Inner dialogue. If the character’s thought are to be revealed, inner dialogue is key. Yes, your character can convey their thoughts aloud, but, more often than not, he or she will express them though inner thought – which is called “inner dialogue.” This type of dialogue is written in italics to differentiate the story (action, description) from dialogue. When a reader reads inner dialogue, they need to understand the character’s thoughts. An example of this is:

Sheila runs and never looks back, tears lining her cheeks. Why am I running? I should be standing my ground! Shoving the backs of her hands into her eyes as if to command the rivers to cease, she plants her feet and halts. Her body lunges forward before it whips back, knees tight, core engaged. Enough! I’m not running anymore. It stops here, right here. If not now, then when? She gulps in a lung-full of crisp air and wipes the remnants of wetness from her cheeks. With a shallow sigh, she pauses for a brief moment, only to turn around and walk back the way she came.

Character focused. As the above states, think of your story as being character focused. The story is the character’s motivations, the character’s emotions, the character’s wants and desires. What drives the character? How is the story going to advance on the character’s goals? What will they encounter based on their drive, emotional pull, and flaws? Instead of being story-driven, with a lot of action, your PR story will be character-driven, which is why PR is classed as literary fiction rather than genre fiction. Keep in mind what your character wants, what they’re going through, what they are struggling with emotionally and psychologically. And make the story wrapped securely around the complexity of their human nature.

Explanation and motivation. Your character has to have motivation and a reason for why they are doing what they are… and your reader needs to understand that reasoning. That means you have to explain the reason, answering the magical question of “why.” Though you can explain the reason through other storytelling devices, the most natural way of doing so is through inner dialogue. For example:

“Why are you being so difficult, Sarah?!”

Rubbing her fingers together, Sarah gazed out over her glasses with half-open eyes. Like you don’t know. Last time we met, you demanded I give in to your whim, do what you say or else. And now that you’re not in charge, you expect me to be kind, benevolent, caring. Well, today’s the day you learn humility, Madeleine.

“Company policy is all. You understand. Surely you’d follow protocol if you were in my position.”

Just remember: You should not explain everything all at once. Instead, sprinkle in the explanation throughout the story so that your characterization builds from beginning to end. The reader will continue to learn about your characters and their complexities, making the read all the more sweeter.

Complexity. And speaking of complexities, because the PR story is built on characterization, not action, you should be thinking of your story in layers, like an onion. Once you peel back the surface or superficial aspects of the story – what starts the story, the inciting action, you need to slowly peel back the other layers of the story through exploration of the deeper character traits, motivations, and setbacks. Once the reader knows about the desires of a character, they need to slowly get to know the reasons behind those desires; this is where and why complexities are born, a must in PR. Nothing should be “as is seems” or predictable, and your character can’t be one-dimensional in that they have no depth of character. Thus, the story must then weave together to create complex situations, struggles, near misses, and triumphs. In this way, story then takes center stage to put your characterization to work.

Planning. Psychological Realism requires planning. Though some may be successful at writing a PS story in pantser or planter style, many writers will find planning more suitable for this subgenre due to its required complexities. Creating outlines of chapters, linking plots through notecards, and completing character charts are all ways to help design a complex story that interweaves story, character, and plot beautifully. Use the tools that best help you create the necessary planning you need for your story. You can manually create the tools (documents, notecards, outlines) or use storytelling apps and software (Google: storytelling tools for creative writing).


Since PR is more difficult than other subgenres, I’ve put together some prompts to help you build your skills – and confidence!

Prompt 1: Pick a character flaw and give it to a character (be sure to name the character!). Then create an every day scene; maybe a first date, a conversation with a boss, or a fight with a neighbor. Think of the location, too, say at the library, at the office, or in the park. Now, write the scene focusing on the flaw in two different ways: predictable and unpredictable. What’s the difference between the two scenes? What made the character act unpredictably? How did the flaw help create depth? How much did you need to know the character in order to create the scene? How much deeper do you need to go in order to bring in more complexity?

Prompt 2: Outline the above scene. What are the main points of plot, subpoints? How does plot inform the story? What connections do you see within the scene, between character? Now, create a whole new scene, outlining it first – before writing it. Find ways to connect the scene, story, and characters to create a compelling scene. Once you have an outline you’re happy with, dripping with complexity, write the scene using the outline as your guide.

Prompt 3: Create a character profile by using either the Gotham or Marcel Proust Character Questionnaire. Type your answers in a document or write your answers in a notebook. Ponder the questions before you decide on the final answer. Then, when finished, write a paragraph describing your character. What is the person like?

Prompt 4: Using the character profile, write the plot of a scene that would use the character’s motivations and emotions to progress the story. What does your character want/need? How will they get it? What will stop them? Then, write notes on how you will explain the reasons behind the character’s choices. Now, write the scene, using your notes and planned storytelling devices.


It may be difficult, be I know you can write psychological realism stories! If you’d like some feedback or help in practicing the above, leave a comment for me. I’d be glad to help.

And, if you have a story, poem, or screenplay in this genre, please consider submitting it to THE DARK SIRE.   We would love to read your work, which includes artwork that holds the essence of the psychological and emotional. To submit, visit darksiremag.com/submissions.html.

The Creative Nook with Villimey Mist

by Zachary Shiffman

Vampires prowl the night in the Nocturnal series by Villimey Mist; fearsome and glitter-free, just how Bram Stoker envisioned and how we at THE DARK SIRE enjoy them. When I read the first book of the series, Nocturnal Blood, I fell into its world of deadly sharp teeth and complex character dynamics, and I wanted to speak to its author as soon as possible. Enter: The Creative Nook on YouTube with myself and author Villimey Mist!

We began by talking of Mist’s series and her ambitions for it. Mist admitted that it didn’t begin as a series. Nocturnal Blood was supposed to be a standalone novel, but sometimes stories and the worlds within them don’t die easily. There are currently three installments of the Nocturnal series: Nocturnal Blood, Nocturnal Farm, and Nocturnal Salvation, with more to come. We also discussed the intentional absence of romance in the Nocturnal series and how that relates to Dracula, the patriarch of vampiric and gothic texts, as well as the series’ portrayal of mental illness through its protagonist, Leia Walker.

We moved on to discuss Mist’s writing process (which includes a lot of notebooks), as well as her other projects, one of which includes the short story, “The Banquet,” with proceeds from the sale of which go to supporting survivors of sexual assault.

If you have any interest in vampires and gothic literature, which – if you’re a reader of THE DARK SIRE – is likely to be the case, this interview with Villimey Mist is a must-watch!

https://youtu.be/uxiLJw6G5io

World Building and the Art of Fantasy

All of us have our favorite fantasy novels, both High Fantasy and Low Fantasy.  Here at THE DARK SIRE, our favorite, go-to High Fantasy author is J.R.R. Tolkien for his body of work which includes The Lord of the Ring series, the Simarillion, and the Hobbit (just to name a few).  Low Fantasy would definitely include the Harry Potter series, Jim Butcher’s The Dresden Files, and Anne McCaffrey’s Dragon Riders of Pern series.  As diverse as all these books are, they have two things in common: 1. Great characterization and 2. Unique worlds in which those characters live.

Characterization deserves a blog all its own and it will get one in the near future.  But, today, I want to delve into the concept of World Building, the chief cornerstone of both High and Low Fantasy.  It’s what makes the genre work.  Without it, your story will crash on the rocks of the readers’ disbelief. 

Simply put, World Building is creating a locale where your story takes place.  A locale that your readers MUST believe in if they are going to believe in your characters. The challenge with World Building is recognizing that your world must function by a specific set of rules.  It is your task, as the author, to establish those rules and map out how your characters will follow them.  The secret is in the details.  Everything – person, animal, or creature – you write about must follow those rules down to the last letter.  This is key in giving your characters a landscape in which to develop. 

Your characters cannot exist in a vacuum.  They have to move, eat, sleep, and perform all the functions that their kind of character must perform to live.  They must have some place real to live.  Not real in our every day existence, but real to them.  And since your story’s world may be different than your readers’ world, it is your job to make the reader understand how your characters can function in a realm that the reader could not.

Think about questions that could guide your world building:

What are the conflicts in your created world?  Does it only rain once every six months?  Are there other species of humanoids and do they require a special environment to survive and if so, can different kinds of humanoids survive in each other’s environments? How do your characters communicate?  Are there different languages?  What do your characters need to do to understand one another?  What is the landscape in which your characters live?  Do different characters need different landscapes? 

Then, set up the boundaries.  Who is in charge?  Do they use magic like in Harry Potter?  And if so, who gets to use the magic, and can others see it?  What is the tone of the atmosphere?  Is this a dark and stormy place or bright and sunny; or is it a landscape covered in ice? 

Define the culture.  What do your characters believe in?  Is there a religion?  Are there several religions? What are the sacred customs?  What is the history of your characters’ interactions? Is there war, peace, tension between peoples? What is the culture’s folklore and mythology?

Don’t forget to use all five of your senses when creating your world.  You need to make your reader feel as if they are right there standing next to your characters – experiencing everything, feeling what they feel, smelling what they smell.  They need to viscerally inhabit your world no matter how fantastical it is.  Your world needs to feel real and functional to someone who could literally not function in it.

Remember, this is a fantasy world created by you, the author.  You need to know how it all functions and be able to pass that knowledge on to the reader without being didactic. Most importantly, you will have to guide the reader seamlessly through your world without breaking the tone or pace of the story. Any note of straying from the story, just to explain an aspect of your world (exposition) will distract the reader – and that’s game over for your story.


Here are a couple of exercises to help you along the creative way:

  1.  Interview your main character.  Ask them questions.  Get to know how they will react to the environment/problem that you have created for them.
  2. Map out your world. What does everything look like? What is where in this new world?
  3. Write a paragraph on each type of being used in your story. List the attributes of the peoples in each group: appearance, language, fighting abilities, magical abilities, spiritual abilities, clothing, food, shelters/lodgings.
  4. Describe the places in your world either to a friend or in a journal. What’s the scenery, weather, animals like? Be detailed in your descriptions so that a person can imagine it in their own thoughts.
  5. How will your story end?  Write the final page.  What are you going to have to do in this created universe of yours to get your main character to that point? Who or what will your character have to face? Are these obstacles part of the world building? Describe them in detail.
  6. Now that you know how your story will end, how will it begin?  What incident starts your main character on his/her/its path of self-discovery? What will your main character reveal on page one that will make your reader want to turn to page two? And most importantly, how will you convey your world building without heavy-loading exposition? For help on this one, read the first few pages of Tolkien’s The Hobit.

We would love to see what you can do.
Show us your world building in the comments!


We’re always looking for good, high-quality fantasy short stories, novellas, poems, art, and screenplays. If you have a piece ready for publication, please submit it.